Augusto M. Torres

José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

Two very young women live in a country house in the midst of war. The older of the two is the active one, the one who dominates and controls everything that happens in the house. The younger woman is the victim, dominated by the bombings and her companion's mentality, which forces her to maintain impeccable, unhealthy behavior. This conflict between the two is narrated by a voiceover—that of the younger woman—who, now at a distance, reflects on that period of her life.

With the help of drawings and comic strips. brings together short films, on children's themes, in which rights that children and adults should enjoy are defended. For the first time, a whole series of important Spanish directors meet to make a children's film.

Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.

Following the Spanish Civil War, a man goes into hiding to avoid arrest by the victorious Nationalist forces.

In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral.

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A girl falls in love with Abraham Lincoln.

The Sun rises and greets Clea, a sleeping beauty, a goddess, the spirit of the earth, but she is frightened and flees, pursued by the mighty star, infatuated with her.

The making of Iván Zulueta's film Arrebato (1979). Interviews with cast, crew, and producers.

The protagonist has no memory of her father. However, as she watches the films he made before she was born, in which several young girls appear, she begins to suspect if there had been nothing between her father and her. To forget her loneliness and stay afloat she keeps a diary. Men begin to irritate her, she is increasingly attracted to women and desperately seeks a mother, a friend, a lover.

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The life of film director Iván Zulueta (San Sebastián, 1943-2009) as told by himself, through his two homes (Villa Aloha, in San Sebastián; and the apartment on the 13th floor of the Edificio España, in Madrid) and the short films he shot there, 'A-Malgam-A' (1976) and 'Leo es pardo' (1976), with the ruins of both buildings as a backdrop.

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Short Spanish film from 1972.

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From his office in Barcelona, where he usually works, Spanish writer Juan Marsé speaks of his novels, the movies that have been made from them, their relations with the classic American cinema and its influence on his narrative.