Ricardo Muñoz Suay

Viridiana is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit her aging uncle, Don Jaime. He supports her; but the two have met only once. Jaime thinks Viridiana resembles his dead wife. Viridiana has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridiana becomes undone as her uncle upends the plans she had made to join the convent.

An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.

After killing his girl friend, Ana, Amador (a dark and strange man) joins his family (which he can't stand) in Torremolinos, where he gets involved in the assassination of a foreigner woman. It is also in Torremolinos, where Amador meets Laura, a woman who falls in love with him...

A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.

Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.

Manager Marletti goes to the sea to meet his wife Giuliana to spend the weekend with her and many friends. After three days Marletti comes back driving his car to Rome. So he can sleep, alone and happy, with silence around him.

San Ginés de la Sierra is a small village lost in the mountains in southern Spain. It is known throughout the region for two peculiar characteristics: its "persistent" drought and a "Home of the Vanquished". This "home" is an institution that houses some twenty old people, to whose care are eleven nuns and crosses a distressing economic situation. The nuns are desperately seeking a solution and decide to hold a charity bulls run.

A killer is cleaning up the streets of Milan by murdering those considered as deviant. An ornamental dragonfly, soaked in the blood of the victim, is left on each body.

A young girl who survives a plane crash in the jungle grows to adulthood and becomes "Kilma," a feared protector of the jungle who wields a bullwhip.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral.

In Medieval France a warlock is beheaded and his wife is tortured and executed. Hundreds of years later, an isolated group of people discover his head buried on their property. Soon it comes back to life, possessing people and using them to commit sacrifices and to search for the rest of his body.

Count Dracula's pregnant granddaughter arrives at his castle, along with her husband, who is not a vampire. While she prepares to give birth to a new member of the Dracula line, her husband secretly launches into a series of affairs with the Count's resident "brides."

An Indian mystic uses magical chants to raise women from the dead, then sends them out to perform revenge killings for him.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

Alfredo is a homeless man who happens upon a truck full of fruit that appears to be abandoned and takes the opportunity to eat some. Once he's satisfied his hunger, he discovers a fortune inside one of the crates. It's the loot hidden by some thieves who crash during their getaway. Frightened, he hides the money under the church statue and confesses what happened to the local priest. The situation worsens when the robbers reappear in town.

Miguel, a poor young man living in Franco's Spain becomes a bull fighter to escape starvation.

Robert Lafleur (Scaramouche) is an actor in 18th century France who spends most of his time, including when he should be on stage, light-heartedly having love affairs and generally enjoying life. One day, a marquis visits him and asks him questions about the birth mark on his shoulder...

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