Chang Che-kuei

In rural Taiwan, during her mother’s funeral, A-Hsien, the eldest daughter, grapples with grief, resentment, and the quiet burden of tradition. As patriarchal rituals unfold, a silent resistance emerges, unsettling the roles she was expected to fulfill.

Loyal to his gangster boss, Pua risks everything for money—and for Mi-ji, the ex-prisoner he secretly loves. But freedom brings distance, not desire.

A gang conflict brews as dispute about the lucrative elver harvest rises. Fellow gangster Loo is desperate to extricate his fisherman father, Gu, from the impending warfare, but they are nonetheless caught in the crossfire.

Since his wife Mei-yun was left comatose after nearly drowning, CHEN You-ming has been raising his three sons alone in their seaside village. And since the mechanical digger he drives broke down, Chen has had more time on his hands than he likes. His life is suddenly disrupted by the appearance of a disturbed young woman who calls herself XIE Hui-zhen (“Zhen” for short) and says that Chen is her father. To uncover the facts behind Zhen’s wild claim, CHEN has to contact his old girlfriend KE Li-jia, last seen twenty years ago. Before the truth about Zhen’s inner turmoil emerges, CHEN has to deal with the death of his wife in hospital and the stresses in his relationships with his sons Wei, Ting and Liang.

In a candlelit room, time stands still, faces glow with joy tinged by melancholy. In the blue haze of youth, love and regret entwine. As the fire fades, so does clarity... What remains of us when memory blurs into longing?

In Minnan, pineapple rhymes with ‘luck’ and is an auspicious symbol. Carrying a pineapple with him, a young man travels with his mentally handicapped younger brother from their hometown in the provinces to Taipei, where a relative works in a factory. There the brothers witness a scene of labour dispute. Will the pineapple bring them luck after all? After scripting Love Is a Gun (2023), winner of the Lion of the Future award at the Venice International Film Festival 2023, LIN Cheng-hsun presents this new short, a dramatisation of brotherly affection, through a sophisticated command of cinematic and narrative devices.

No description available.

Cheng, Pei, Wei and Ah Doa went to Hualien for a 2-day trip. To 3 of the friends, this trip was meant to keep Cheng’s company due to a recent break-up. To Cheng, it has different meaning: to return something to the sea.