Sylvie

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A retelling of Homer's The Odyssey, focusing on Ulysses's ten-year journey home to Ithaca following the Trojan War, where he faces various mythical challenges while his wife Penelope fends off suitors.

Four episodes chronicle a mysterious phantom who appears in the Musée du Louvre in Paris at night. Neither guards nor police are able to make an arrest. But a curious young man tries to break the ice and discover what drives the creature and its activities.

When Emir Feofar Khan, leader of the Tartar hordes, takes up arms and invades the steppes of Eastern Siberia, Czar Alexander II of Russia entrusts the brave officer Michael Strogoff with a dangerous mission.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Enrico is a struggling journalist in the Rome of 1945. He receives a phone call informing him that his younger brother Lorenzo has died. Enrico recalls their long and difficult relationship; he was brought up by their poor but warm-hearted grandmother, Lorenzo was raised as a gentleman by a wealthy local aristocrat. Reunited in the Florence of the 1930s, Enrico becomes his spoilt brother's keeper, forever haunted by a sense of guilty responsibility towards a man he both hates and loves.

An old castle in Sweden, inhabited by a family of 18th century dressing eccentrics, holds secrets, deception, and rumors of murder.

In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.

The inhabitants of the windswept island of Sein, in the 19th-century Brittany, follow their own religion without need for clergy, but as strangers arrive, their faith and beliefs face a deep crisis.

Remy Germain is a doctor in a French town who becomes the focus of a vicious smear campaign, as letters accusing him of having an affair and performing unlawful abortions are mailed to village leaders. The mysterious writer, who signs each letter as "Le Corbeau" (The Raven) soon targets the whole town, exposing everyone's dark secrets.

At trial the prosecuting attorney makes a startling confession: the defendant is his son whose pitiful fate led him to murder. The attorney left the young man's pregnant mother, and the unwed poor thing had to fight against a hostile world.

An eccentric man endangers himself when he makes advances toward the girlfriend of a saloon keeper.

A doctor, leading an agreed life of the provincial petty bourgeoisie, falls in love with a young woman. As their relationship deepens, he becomes violently jealous and blames her for her dating and friendships.

Portrait of a two-faced man. By day he is rich, brilliant and respectable financial officer Lussac; at night, he becomes "Mirror", a ruthless gang leader in Marseilles.

A rich girl is in love with her father-in-law 's librarian. The wealthy man wants her to marry a military man but she's not prepared to accept it. She rebels and marries the poor guy. This young man has a cousin, who seems secretly in love with him but in fact we 'll never know what she feels. This mysterious sad woman, always dressed in black, gives her relative a strange box which seems to be a bad luck charm. The hand of fate seems on the newlyweds now:the husband involuntarily causes a car crash: his wife is killed.

Star-crossed lovers Thérèse and Laurent think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law, it's only a matter of time before the law, their passion or blind chance trips them up.

Thérèse kills her lover during the very night of her wedding to the count of Vétheul. To gain a night with her, a modest local worker agrees to bury the body.

In the studio where the famous director Eric Von Berg reigns, Pierre Vanier, the male star of the film and the lover of Berg's muse, dies while rehearsing a scene. Over the course of a tangled investigation, the culprit is unmasked. This honest dresser is the adoptive mother of Vanier's wife, too unhappy with such a husband. The inspector, moved, concludes a suicide.

A unique black comedy consisting of three episodes on the same theme: death. In a circus, trapeze artist Wilma is going to get rid of a rival during a "magic act" performed by an amateur. A strange widow comes to inquire about the services of a new marriage agency. A peasant woman tormented by a bug in her ear barges into a healer's house.

Maurice loves Juliet and Michael loves Lily. Romance blossoms on the hill. They are workers, artisans, and Lily has a real talent as a singer. But Claude's arrival brings trouble to their relationships. Maurice, jealous, approaches Lily. Singing in the streets, Lily quickly becomes a cabaret star.