Jamie Yuan

When unemployed Emma starts dating the poltergeist who haunts her flat, she struggles to resolve her impending eviction with the ghost's ever increasing possessiveness.

The film opens on a set of lights, arranged on a table, that throw colored shapes across the wall of a darkened room. This is followed by a range of subjects, mostly shot with an unmoving camera: hermit crabs on a beach, strips of paper arranged on the bed of a scanning photocopier, bare feet moving among metal rods on roughly poured concrete, the city of Los Angeles at different times of day, someone playfully maneuvering a power washer, a disco ball casting confettilike reflections, bodies touching, a worker at a construction site, and light on the surface of water, abstracted by darkness. [Overview Courtesy of MoMA]

Is the Cambridge growth phenomenon about to be derailed by a shortage of water? This documentary shows how, as part of a hugely successful public health initiative, the watercourse known as Hobson’s Conduit has for 250 years diverted a natural spring to provide Cambridge with its main source of drinking water. However, demand is now causing springs to dry up, precious chalk streams to disappear, and the iconic River Cam to be badly degraded. Water companies, regulators, businesses, land owners, consumers and the government have overseen a developing groundwater emergency. Can these groups come together to ensure Cambridge has a reliable water supply without further damaging the environment?