Marie Colbin

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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Based on unfinished 1954 novel by the German author Thomas Mann. It is a parody of Goethe's autobiography Poetry and Truth, particularly in its pompous tone.

The film deals with the criminal case involving Marianne Bachmeier, who shot her daughter's murderer in the courtroom in 1981.

"Spring Symphony" is the story of Robert Schumann and Clara Wieck. Both were music entities. Robert Schumann turns out to have been a second tier composer, if that, never rising to the heights of a Beethoven or Mozart. In contrast, Clara Wieck was a master technician in the playing of the piano, a composer (probably not at Schumann's level), and was a child prodigy.

Two life stories. That of Malou, a French woman, married to a German Jew, a refugee stranded in South America: a picture of the pre-war generation reflected in the unusual destiny of an individual woman. And that of Hannah, an alert, independent, modern woman, seeking after freedom and her own identity, and trying in present-day Berlin to save her shaky marriage.

The true story of the Bavarian Tailor Albrecht Berblinger who, after a strange encounter with a balloon starts building a flying machine. Although not an engineer by profession, he never gives up. No matter how many obstacles are put in his way nor how many failures he endures, his ardour is never dampened. He continues with his dream to fly like a bird.

The young, likeable pianist Luca is on the verge of an immediate breakthrough in his international career when an accident robs him of all his dreams and hopes. Paralyzed from the waist down, he falls into a deep depression from which neither his great love Josephine nor his divorced parents can pull him out. Completely withdrawn into himself, Luca decides to end his life when, against his will, he makes the acquaintance of the unconventional Roderick. Through this young man, who rebels against dying, Luca realizes that there are other values in life than his own. An unusual journey through a new phase of life begins, from which an initial aversion grows into an extraordinary friendship. With courage, humor and an enormous will to live, Roderick and Luca defy their fate and fight together for recognition, love and success.

An abstract look at the changes in a woman's inner self. Married to a down-and-out writer, she is forced into a liaison with a book thief.

Judit is up to her neck in art studies and the elitist art community but chucks it all to pursue a successful career as a billiard professional -- not exactly a likely alternative in real life, but certainly more lucrative. Just as she is finally at the apex of her chosen second field, Judit encounters male jealously and/or aggression in the form of intentional snubs from this different class of snobs, or in the worse instances, rape. Director Kitty Kino portrays many of the male figures in this film as weak, or drunk, or simply offensive, and because of the emphasis on those traits, the film will raise objections from some viewers. On the other hand, many women might see this film and feel that at least it brings up the difficulties women can face in getting ahead in a male-dominated arena, instead of side-stepping or ignoring the role of male prejudice.

One day, Nina confesses to her boyfriend Mick, that she never has had an orgasm. Comedy about the problems of relationship and sexuality in a parody of the sex enlightenment and soft sex genre.

Young Patricia wanders through a Viennese night full of lust for love, visions of drugs and violence, gleaming frenzy and dark alleys.

In the space of a short 65 minutes, a woman enters the luxury apartment of a wealthy man with an eccentric fascination for the female form and is paid both for her sexual favors and for lying there naked and letting him examine the aesthetics of her body. For most of the hour, as the concise narration of Marguerite Duras' novel on eroticism and aesthetics fills the aural gaps, actress Marie Colbin's form fills the visual gaps. But unless viewers consider the feminine eyeball or microscopic views of skin exotic and worth lingering over, the eroticism lies more in the imagination than on the screen. In fact, the female body lying on the bed, taken away from the spirit that animates it, is really just a corpse -- raising the question, exactly what is the "malady of death?"