John Henry Soto

A suburban neurotic man in his late 20s has convinced himself that he’s destined to be one of the best rappers of all time. Now he must convince his closest friends, because with their help, he might actually convince the world.

A former police officer and a journalist go on the hunt for a serial killer stalking New York City.

And On That Day, written and directed by John Henry Soto, is a quietly powerful short film about what happens when a lifetime of silence reaches its breaking point. Robert has spent thirty years doing what’s expected—showing up to work, keeping his thoughts to himself, and living within restraint. On his final day before retirement, a simple farewell speech becomes something far more personal, carrying the weight of decades of unspoken truth. Soto trusts subtlety over spectacle. Small gestures, pauses, and expressions create tension, allowing the audience to feel the pressure of time closing in on a single moment. The performance feels grounded and human, making Robert instantly recognizable rather than dramatic or idealized. Clean visuals and measured pacing mirror Robert’s inner state, letting the film’s final moments resonate naturally. At its core, And On That Day asks a timeless question: what do we lose—or gain—by staying silent for so long?

A depressed call center worker gets engulfed by his computer.