Marcel Bluwal

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The wife of an American doctor suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.

François Vidocq has been sentenced to eight years' hard labor for a crime he didn't commit. Escaped with the help of his faithful friends Desfossés and Fil de fer, the convict is pursued by his lifelong enemy: the policeman Flambart. Between scams and disguises, Vidocq initially leads an undercover life in 19th-century Paris. Eventually, the two men team up to fight criminals... And Vidocq succumbs to Annette's charms.

Based on the memoirs of Eugène-François Vidocq, this series follows the adventures of this former convict turned policeman in the early 19th century. In these new adventures, Vidocq comes up against a ravishing “baronne”, a formidable gang leader. The cases entrusted to Vidocq are not only police affairs, but also delicate, political and even diplomatic affairs.

A miniseries about the life of Mozart.

Paul Martin is the subservient brown-nosing youngster who needs quick advancement up the hierarchy to pay for the modern lifestyle he is buying on credit. Seeing that marrying his immediate superior's daughter will not get him the results he wants, he begins plotting the demise of the head of the company. The company itself specializes in holiday travel and unscrupulously brutalizes its customers for maximum profit, spending more thought on publicity gimmicks than customer service...

An ex-convict who wants to make an honest life for himself is pursued by the implacable hatred of a policeman.

This telefilm in black and white is diffused on the first French chain the November 6th 1965. It undoubtedly remains the most known adaptation of the Dom Juan of Molière.

The Anodin family, is a French TV serial, in 8 episodes of 45 minutes, from 1956, on RTF.

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Ikhariev is a professional gambler who made his fortune by cheating. Having just won eighty thousand roubles, he comes to try his luck again at a new inn. He is accosted by three men, also cheaters, who offer to join forces with him to ruin their new prey: young Glov, heir to a rich landed estate.

A French telefilm broadcast on 30th September 1962, this is a detective fiction, set in London, 1927. The plot is set in a single space... a police interrogation room for suspects. It has only three characters; the suspect, who is an architect, and an idealist influenced by radical ideas. The other two characters are policemen, who try to coax from him the motive behind the death (murder?) of his three year old child. Even in a remastered DVD, the beta production values of a television production will be evident. But at barely a few minutes over an hour, it packs a brisk, at times rushed, but an interesting narrative. Makes one wonder, what other gems must the TV vaults in France (and UK, and Germany, and Italy) conceal?

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Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

On Christmas night, an ex-convict meets a beautiful, married Italian woman who has a lot of things to hide.

A captivating portrait of French actor Michel Piccoli, who has worked with the greatest filmmakers of his time and has built a dazzling career of remarkable merit and success, focusing on his work during the 1970s and his professional relationship with Claude Sautet, Romy Schneider, Marco Ferreri and Luis Buñuel.

The story of Robert Hughes-Lambert, who was captured by Nazis when his active homosexuality was discovered during the filming of Mermoz (1943).

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Faversham's Arden, the first tragedy to be about ordinary people, is both a realistic, social painting of 16th-century England and a psychological portrait. Alice and her lover Mosbie, with whom she has a complex and passionate relationship, decide to murder her husband Thomas Arden, but their plan repeatedly fails.