Luc Andrieux

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Barny, although a Marxist, is intrigued by the mysteries of religion. In confession, she teases a priest, Léon Morin, but he is a young and intelligent man and ready to discuss anything.

Matou is an innocuous, gentle-looking man. He is married to a formidable, even a frightening woman, who is as dissatisfied with him as he is with her. He knows everything there is to know about restoring and authenticating manuscripts, particularly ancient ones, through his job at the museum. One day, it occurs to him that his skills could be put to use in a more personal way, and he embarks on a private career of re-arranging the documents of people who have had the misfortune to be married to the wrong people.

Léo Fardier is a police inspector who goes to prison undercover as a convict. He shares a cell with Mariani, a Corsican mafioso, whose trust he earns. The day Léo leaves prison, the criminal entrusts him with a letter to deliver to his estranged wife. He finds her, and she falls under his spell. The problem is that he, too, has fallen in love with her.

Pétepan learns that his money has been lost by Robinhoude brothers.He asks his assistants to withdraw his amount from the bank.

In the newspaper he has just founded, journalist Dolannes exposes all the wheeling and dealing and scandals that go on in his town.

Robert Langlois is now married to Catherine, the former housemaid. And they would live happily ever after if the housing crisis did not force them to live together with Gabrielle and Fernand, Robert's parents. For, despite the good will on either side, tension soon arises. What else to expect when there is too little space in their Montmartre apartment for four people (then for six then eight, the couple having... two pairs of twins!) ; the continued presence there of Fernand (who loves peace and quiet) after he is driven to retirement ; the difficult beginnings of Robert as a lawyer in a room of the apartment, etc... Other troubles follow and the harried family is on the verge of implosion...

The aunt of Alfred Puc, a meek tax-collector in Paris, dies while riding in a moving van. The driver, not wishing to be bothered by a police interrogation, hides her corpse in a cupboard before notifying Alfred. But the van is stolen. Alfred, being the heir of a rich lady, begins a frantic search to locate the missing van and the cupboard because one can't claim an inheritance if there is no 'corpus delecti.' In his search, he gets caught up in an underworld web and finds the body of a murdered gangster in his room. He finally locates the cupboard but promptly loses it again. But, wait, it isn't "finis' time, yet.

An aimless young man is committed to a psychiatric hospital by his father in an attempt to cure him of his delinquent tendencies.

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.

Over the course of one night, a gang of twelve criminals carry out a commando-like raid on a small town.

While celebrating his birthday, police inspector Basquier recalls two of his most celebrated cases. The first involves duplicitous moneylender Olga. The second concerns the brutal broad daylight murder of innocent young Yvonne.

The adventurer Jeanne de Valois-Saint-Rémy, descendant (by the left hand) of the king of France Henri II, and who claims to be "Countess de la Motte", imagines a tortuous plan to steal a magnificent diamond necklace that the queen Marie-Antoinette refused to buy from the jewelers Boehmer and Bassange.

A young woman wins a typing contest and sets off to work in Paris.

Film in two eras.1st era: They are not angels. Chronicle of a Free French parachute training camp during the Second World War. 2nd era: Terre de France. A group of paratroopers landed in Brittany sabotages the German installations.

Pierre, an unhappy lover, is saved from suicide by his friend Paul. Extremely grateful, Pierre unloads his suitcases on his friend's family, who will soon regret not having let him commit suicide.

Fred, the nephew of a senator,has murdered a Black man on a train. The two only witnesses are Lizzie McKay, a prostitute from New York, and Sidney, a colored man. Fred decides to seduce Lizzie in order to make her give false evidence according to which Sidney has attempted to rape her. The uncle also puts pressure on the young woman. After much hesitation, Lizzie finally accepts but Sidney, who has nearly got lynched, takes refuge at her home...

On the run from international police, Special Agent Lemmy Caution arrives in the South of France and soon becomes embroiled in a scheme with the infamous gangster Siegella. Whilst seeming to co-operate with the underworld boss, Lemmy is secretly acting for the FBI, and intends using Miranda Van Zelden, a wealthy heiress, as bait to trap a gang of crooks and put an end to Siegella's exploits...

Dominique is a pretty, vivacious girl. When she witnesses a car theft, she throws herself and her bicycle under the vehicle. Jacques Mareuil, whom she then blackmails, pays her a sum to cover her debts. In reality, Mareuil, a policeman, is keeping an eye on Atcheminov, the owner of the car, but, wanting to prove that he is an unscrupulous trafficker, he comes up against Dominique's impetuosity time and again. It all ends up like in a good comedy.