Jean-Paul Le Chanois

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

Tulipe, is an old man who lives alone in an old railway carriage in the Argentueil region of Paris. His main passions are gardening and oil painting, but he also has a secret source of income. His godson discovers that Tulipe is actually a master forger, producing perfect copies of 10 franc notes. His godson’s girlfriend sees this as an opportunity to get very rich – but she must persuade Tulipe to forge 500 franc notes. Assuming Tulipe’s agreement, his godson and his girlfriend buy an expensive new car and luxury villa in provincial France – but there is a cruel turn of fate in store for them when Tulipe strikes up a friendship with a millionaire playboy.

A New York cab driver helps an Irish immigrant with a baby locate her missing husband.

Stage actress Marianne has decided to give up her career to marry wealthy nobleman Marquis Antoine de Fontaines. As a wedding present, Antoine gives his future wife a precious diamond necklace, which is coveted by a gang of crooks. Jean, one of them, is given the mission to approach Marianne and steal the necklace from her. The only trouble is that when he meets her, she recognizes him as the man she once loved.

It was the reign of Louis XV and, in 1750, France was at war all the time, and the people, suffocated by taxes, liked their beloved Louis less and less. When the governor of Dauphiné arrived in Saint-Étienne-de-Saint-Geoirs, he had to deal with opponents of the regime who had gathered around cooper Louis Mandrin. Mandrin becomes the vigilante who respects his king, but does not tolerate the oppression of the poor through taxation.

Robert Langlois is now married to Catherine, the former housemaid. And they would live happily ever after if the housing crisis did not force them to live together with Gabrielle and Fernand, Robert's parents. For, despite the good will on either side, tension soon arises. What else to expect when there is too little space in their Montmartre apartment for four people (then for six then eight, the couple having... two pairs of twins!) ; the continued presence there of Fernand (who loves peace and quiet) after he is driven to retirement ; the difficult beginnings of Robert as a lawyer in a room of the apartment, etc... Other troubles follow and the harried family is on the verge of implosion...

The Paladines write crime novels together. In a cinema, they happen to see a report on the consequences of a shipwreck in which Lieutenant Dupuis tells about the death of an old man in the lifeboat carrying the survivors. Husband and wife agree that this could be the starting point of a new story and go and see Dupuis to get more details about the drama. When they come to his hotel Dupuis is dead with a bullet in his head. Police characterizes the death as suicide but Paladine has found a train ticket in the dead man's pocket. With his wife he takes the train to the specified destination, somewhere in the provinces...

A propaganda film of the communist party of France, showing how the comrades help the proletariat against the capitalists.

During the Second World War, in 1943, two French prisoners, François and Michel, escape from Stalag B377 in northern Germany near the Baltic Sea. They meet another escaped compatriot, Pierre, who has donned the uniform of a German officer and joins them. Their goal: to reach neutral Sweden. To get there, they'll have to walk part of the way, then take a train to the coast and, from there, find a way to cross the sea to the shores of Sweden.

Noël is a bachelor who inherits a matrimonial agency. After contemplating selling it, he chooses to manage it.

Melodrama of two struggling artists whose love for each other is thwarted.She has some success as a ballerina despite being wounded by him in a fit of jealousy. His career as a sculptor is stymied when he is arrested.

The residents of the apartment building on Rue Montmartre are a motley crew of oddballs and eccentrics. The daring son of a professor couple is in love with a sexy student who supplements her pocket money by working as an au pair. And then there's Monsieur Calomel, the crazy but helpful neighbor who's always ready with a funny face...

A woman in Paris hires a taxi driver to locate her ex-lover, father to her newborn child, who left her without leaving an address.

Left heartbroken by the death of his beloved wife, a rich banker tries to commit suicide. When he learns from his former maid that his wife was unfaithful, he fakes his own death and comes back under a new identity.

A Spanish documentary from Jean-Paul Le Chanois & Luis Buñuel made during the Spanish Civil War.

A struggling artist buys a talisman that gives him love, fame and wealth. The talisman is a severed left hand, and it works perfectly, in fact, magically. But of course there is nothing free in this world, and after one year the devil comes and asks for his due.

Picpus is a street and a subway stop where a number of murders have been committed. Maigret tries to find the killer.

A Paris-based doctor tries to spread the gospel of Natural Childbirth. Working in a cloistered rural community, Gabin runs up against the stone walls of fear and prejudice. His theories are proven sound when unwed mother Nicole Courcel gives birth within Gabin's methodology. The childbirth sequence is filmed straight-on with a delicate combination of taste and frankness. Nonetheless, the lurid ad campaign of Cas Du Dr. Laurent sensationalized this sequence all out of proportion.

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.