Production
This is an alien invasion film like no other – the aliens are miniature but still want to take over the world!
Freedom (inspired by Dostoevsky’s Crime and Punishment) is set in contemporary Johannesburg against the #FeesMustFall student movement. It explores the paradoxical, often limited, notion of "freedom" for born-free South African youth, focusing on the harsh realities of post-apartheid life.
POU is a South African gothic horror following the journey of a young woman into the dark recesses of the Afrikaner psyche and its compromised past.
Dramatisation of the novel of the same name written by Sindiwe Magona about Amy Biehl, an American journalist murdered in Cape Town in 1993, and the 2012 play based on it. Based on the intimate one-woman play staged by singer, actress and playwright, Thembi Mtshali, the film seeks an understanding from the mother as she explains the direct consequences of apartheid, which influenced her son's actions.
Gugu, the walking wounded, rejects men long before they can get too close to rock her self-imposed exile from love. But to find bliss with the right guy, she must first realise that no man is created equal and that, in love, nice guys not only have staying power but can be just right too.
When a once-prolific novelist, now reclusive and no longer writing, is interviewed by a fan pod-caster about his process and first short story, he must confront the secret behind his prolific work and be reborn as an artist.
A poetic exploration of mental health issues among creatives in communities on the African continent and in the diaspora, exploring myths, stigma and solutions through the personal stories of the characters.
Sol Plaatje was a politician, novelist, historian, musician, translator of Shakespeare into vernacular language, and founder member of what was to become the African National Congress. In 1924, a visionary South African, Sol Plaatje, set out to bring the wonders of cinema to the community. Brandishing a few educational 16mm films under his arm, Plaatje arrives in a dusty, Blacks-only township in the Western Transvaal. He is looking for a venue which can be set up as a bioscope. Things do not seem promising, but Plaatje is first befriended by a helpful young boy. And then, despite prevailing apartheid obstacles, a room is found. The township community is excited and set to be overawed by the new celluloid world about to unfold before them.
