Montserrat Pérez

Depressed and suicidal, thirtysomething bachelor Duncan – determined to find the secret to a healthy, strong relationship, – flashes back to his last five relationships (in the last four years) and considers what caused each one to fail. Based on the novel 'Essays in Love' by Alain de Botton.

Death lurks in every corner and time is running out for Don Eulalio, who has been escaping from his hands for a long time.

A family lives a paranormal experience.

A father intends to save the life of his own son, by paying out a new type of suicide life insurance.

Alfredo is a man captivated by the fetishism that human eyes cause him, his obsession will be taken to the limit, when he meets Jessica, the new neighbor.

Ema tries to recover her memory, while a man in black threatens her, without knowing why.

“Amsterdam” is a fictional film made from a screenplay written in collaboration with Argentinian author Reinaldo Laddaga, that researched and used the non semantical languages that where explored in previous works. The obstruction of understandable language allowed for the actors and the director to improvise when shooting the scenes. As spoken language and text became more and more abstracted through the filming process, the actors physical expression became the predominant form of communication. Under these working premisses, the act of filmmaking allows to experience an “state of exception” comparable to a moment of social anarchy. Ultimately “Amsterdam” perhaps can be considered a love story gone strange.