Thomas Brasch

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An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.

The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.

A young actress in Cold War Berlin struggles to decide whether or not to accept a new role, working with an old leftist director in a deserted theatrehouse. Caught between her painful childhood - loss of the mother - and the confusing and instable present political and social situation, she engages with prostitutes, penniless playwrights and postmen of the split Berlin city.

About Icelandic composer Jon Leifs (1899-1968) who spent much of his life in Germany before WWII. The film begins in the 1930s after he has married the daughter of an industrialist, Annie, who is also a concert pianist. This era was frustrating for Leifs because his works were seldom performed. Iceland's submission for the Academy Award for Best Foreign Language Film in 1995

In Friedliche Tage, we enter a totalitarian and inhuman society, in which daily life is a series of nightmares and the protagonists search for a utopia of freedom and love.

Intimate portrait of writer, poet and filmmaker Thomas Brasch.

A disenchanted young couple, Oi and Sakko, meet on an abandoned railway track and drift through a series of loosely connected scenes and dialogues, often under the influence of thorn apple. Their elusive bond is anchored by a stolen Mercedes, which becomes a potent symbol of alienation, status, and the illusions of modern life.

A man gets on a train to Cologne. Inspired by a poem by Rolf Dieter Brinkman.