Directing
As a child, we live in a carefree timelessness. But this, too, passes, and the person who grows up is increasingly confronted with temporal limitations.
Leonardo, whose real name is Michael, wants new white teeth—because everyone has them now. Only unsuccessful people still have yellow ones. So he needs 150 euros, which he doesn’t have, since he’s got more credit record entries than cash. On the streets, the law of the strongest applies—if you don’t have something, you take it, and Leonardo takes it. But the watch he steals turns out to be a fake, and he decides to simply return it to its owner. Luck, however, arrives a little later…
David has already endured multiple unsuccessful attempts at detox, and his latest stay in a clinic ends with yet another dropout. Just when he finds a fleeting sense of freedom, his return to addiction is abruptly derailed when all the doors that once were open to him suddenly slam shut. Overwhelmed by debt, he loses his apartment, and his depressed mother withdraws all support as a form of self-protection. He is lacking both money and drugs, and even his social worker, Stefan, only grudgingly allows him to stay overnight — merely with the intent of returning him to rehab the next day. In search of escape, David dives into a night of excess that leads to a monumental blackout.
An apocalyptic sound of roaring machines incessantly intrudes into the habitats of man and nature. Barren landscapes and deserted villages linger in hypnotic restlessness. A self-destructive system meets resistance.
