Jordi Sanz Angrill
Crew
Biography
Jordi Sanz Angrill (Barcelona, 2000) is a film director, screenwriter and editor. His films explore memory and remembrance as mutable elements linked to spaces. He directed Sisters (2024) and The Fountain of Memory (2025), both short films premiered in the official selection of the 26th and 27th Shanghai International Film Festival. He combines filmmaking with teaching and cultural management: he has directed four editions of the u22 Film Festival at the Joan Miró Foundation in Barcelona, was part of the official jury at the 31st L’Alternativa Film Festival, and in 2025 joins the D’A Film Festival as a programmer. He is currently in pre-production of Sismes (2026), the winning project of the FICBueu Residency, and also developing his first fiction feature film as a director.
Known For
Adela is a single mother, hardworking and humble. While she works, her mother takes care of her son. Immersed in her obligations that don't allow her to think about her, she will be forced to open her eyes and face a new reality when, on an early morning, her mother runs away from home and begins to show the first signs of dementia.
La mort petita
After his first breakup, Marc, a film student, goes with Laia on a trip to the south of France to see if he can get over his ex. The emotions appear but Marc feels at a standstill.
Dos dies i l’eternitat
Gina's death will force Greta and Gemma, her sisters, to get back together after a long time and to reconsider if sharing blood really means to be family.
Sisters
Manel and Judit broke up three months ago, but they set a date to spend together a last ski weekend.
Si mai no ens haguéssim separat
Mia and Marcel have forgotten who they are and who they were to each other. They now reunite in a border forest marked by the Spanish Civil War, in search of a fountain said to restore lost memories. Along the way, past and present blur, as do personal, collective, and historical memory.
The Fountain of Memory
Years after separating, Martina and Gerard meet again by chance in Montjuic. The words they say and don’t say open a crack, and memories erupt: a morning at a garden center, a persistent phone call, a chance to escape the consequences of their decisions.