
Joaquín Stahlschmidt
Directing
Biography
Joaquín Nicolás Stahlschmidt (born December 27, 2000) is an Argentinian student at the Universidad del Cine de Buenos Aires (UCINE).
Known For

After his running mate's murder, a controversial televangelist becomes Argentina's presidential candidate. But nothing about him is as holy as he seems.
The Kingdom

After a reunion with her past, Tamara - a Jewish ex-orthodox turned feminist rocker - separates from her boyfriend, rebelling against romantic love and monogamy to embark on a path of exploration in search of her own desire.
The End of Love

César and Luis, two tango authors, visit Polaco Goyeneche at his house, to give him a song in his honor. Based on the song "Ciudadano de Saavedra" by César Rossi and Julio Pane.
Melián 3167

Malena, a young photographer, finds a box of family memories while helping clean her parents' house. Among the objects, she discovers some old VHS tapes that belonged to her grandfather, whom she never met. Through these recordings, Malena delves into her grandfather's passions for tango, embarking on an intimate journey that also leads her to self-discovery.
Malena sings the tango...

Lucas and Mateo are brothers and have a distant and somewhat conflictive relationship. What seems to be just another morning becomes the beginning of a new stage in their lives. When they wake up, they notice that their mother is not at home and they wait for her to return, but that moment will never come.
The First Law

Juan, a young rural bandit, is in a relationship with a lady who is wanted by the aggressive town commissioner. He must solve his problems with the law, even if it costs him to lose love. Based on the story of Juan Bautista Vairoletto, 'The Argentinian Robin Hood'.
Runaway Heart

Remembering his old memories, he will leave a photograph in every place where he was happy.
Memories

Two unknown characters wander through the central streets of Buenos Aires. While one abandons his past, the other reunites with his.
The Lost City: Jumbo and Tango

Mired in his shyness, Fernando does not dare to declare himself to a girl he likes.
The stories they told us as children
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