Emrullah Erbay

Forced to leave the comfort of his middle class lifestyle at his father's behest, fourteen-year-old Ahmet is sent to an all-boys religious dormitory where he must navigate familial expectations, his religious obligations, and the childhood to which he so desperately clings.

Sevgi and Doğan, a young couple, steal cars in the poorer districts of Istanbul and sell them to the junkyard to be pressed. One day, however, an unsettling event shakes them to the core, pushing them to face some truths about their relationship and the harsh realities of life.

Hacer is over 30 years old but 'still' single. Her two younger siblings are also unmarried. This creates great unrest in family. That day, the parents get prepare for dinner in a depressed mood. Arif, the brother, has problems with his fiancée, announces at dinner that he and his partner have broken off their engagement. Earlier that day, Hacer had a marriage interview at the demand of the family and said no to him, and has to explain it to her father, who is already infuriated by Arif's speech.

1914-1918, Burma, Turkish POW camp, and other side Turkey, British POW camp. Hidden truths that still remain silent despite the intervening century. Descendants of Turkish and British soldiers who crossed paths in Mesopotamia during the First World War think upon the unknown stories of their grandfathers and how it has affected their lives. The film progresses with testimonies from two different nations' prisoners of war, who have been left outside of the historical framework, and showcases the shared painful effects of war's cruelty upon individuals, and the bond that distinguishes the reality of history from memory and forgiveness. The film focuses on the tragic stories of W. C. Spackman, an English military doctor working in the Indian Army, and Colonel Suphi Bey, a Turkish officer, whose destinies intersect in Mesopotamia.