Nicholas Mead

Roguish comedy drama following the misadventures of small-time crook Arthur Daley.

Fleeing the June 1940 arrival of Hitler's army in Paris, a young war widow and her two children are rescued from dive-bombing German fighters by a cocky, reckless teenager. He finds them refuge in an abandoned house, but despite the fact that the family quickly comes to be depending much on his cunning and survival abilities, their cohabitation proves uneasy.

Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.

Arrogant aristocrat Rupert Campbell-Black has high social position, women at his feet, money and fame in the world of show jumping. But Rupert has a rival - the brooding gypsy Jake Lovell, whose loathing for the "Pin Up of Penscombe" has driven him to the top of the riding world to match Rupert's skills. A bitter feud festers between the two stars, who have fought and fornicated their way round the show rings of the world, and now comes to a showdown at the Los Angeles Olympics. As rivals in love and sport, the stage is set for what becomes a compulsive blend of sex, romance, and adventure.

In the 1980s, Algeria experienced a tumultuous social context which reached its peak during the riots of October 88. This wave of protest, with youth as its figurehead, echoed the texts of raï singers. Thirst for freedom, misery of life and the aspirations of youth are among the main themes of their works which will inspire an entire generation. More than music, raï celebrates the Arabic language and becomes a vector of Algerian culture, thus providing the cultural weapons of emerging Algerian nationalism With Cheb Khaled, Cheb Mami and Chaba Fadela as leaders of the movement, raï is also a way of telling and reflecting the essence of Algeria in these difficult times. While the threat weighs on artists in Algeria, their exile allows raï to be exported internationally and thus, to bring the colors of Algeria to life throughout the world.

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The 24 Hours of Le Mans, 1955. 300.000 spectators are watching from the sidelines. It is 6:00 PM when Pierre Levegh's car ploughs into the spectator stands, scattering the crowd with his car engine's hot debris.

Charles Windsor, heir to the British Crown, remains one of the most publicized figures in the world to this day. But who really is this prince as the ordinary retirement age approaches? Prisoner of a ritual and of obligations which enclose him like a straitjacket, Charles nevertheless knew how to forge a destiny by inventing a role of his own, made of everything except wait-and-see. He is shaking up the establishment, leading his own crusades, freeing his word from constitutional rules that are too rigid for his liking. This prince, so famous, remains to be discovered.