Beatriz Mateos

Antonio and Estrella are diving siblings. He works in maritime works, she studies underwater life and assists him. Its precarious economy could improve after finding cocaine hidden in the hull of a ship anchored in Huelva.

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The Spanish Deep South, 1980. A series of brutal murders of adolescent girls in a remote and forgotten town bring together two disparate characters – both detectives in the homicide division – to investigate the cases.

Toro (Spanish for "Bull") is a young con man and the right hand of Romano, a powerful mob boss in Torremolinos, Málaga (Andalusia, south to Spain). After Toro decides to leave Romano to get a life free of crime, his last sting fails, resulting one of his brothers dead and he sent to jail. Five years later, Romano realizes that López, Toro's older brother, is robbing him money from his tourism business and he orders to kidnap Diana, López's little daughter, until this one get back the money. Without options, López visits Toro, now a touristic driver with the third grade prison close to get the parole, who only wants to be free to marry his girlfriend Estrella. When Toro accepts to help López and both meet Romano looking for a solution, Toro ends attacking Romano's men and fleeing with Diana, trying to escape from Romano's revenge. But Romano starts a ruthless searching for they three, meanwhile Toro counts the hours to back the prison according to the third grade...

Paula and Raúl, who live with Dani, a six-year-old boy, could be just another couple... They could be, except that the boy is not Paula's son, and Paula faces the everyday challenge of proving that she deserves the title of mother. This conflict, along with the couple's separation and, as a result, the possibility that Paula might never see Dani again, sets up a story that puts the pain of a child at the heart of it.

Ana, her mother and grandmother live in a small town in southeastern Spain where all three are regarded with suspicion.

Alex,Gabi and Oki, three teenagers living in a big city, are completely unknown to their parents, to their teachers and for themselves. Their emotional isolation, led to the limit, will have unexpected and terrible consequences that will shake society.

Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.