Roberto Jacoby

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Florencia “Hana” Ciliberti converses with her contemporaries at her workshops. From closeness and humor, she builds a narrative about music in visual art in Argentina, alternating testimonies, music videos, performances and archive material.

A recurring nightmare immerses the filmmaker into a visual research in the first person. Beginning with the 1955 bombing of Buenos Aires, the film elaborates a disturbing essay about violence. Combining a variety of different materials the director follows a line of thought that starts with his grandparents at World Wars I and II, and passes through Vietnam and the atomic weapons, reflecting about the kind of world we make for ourselves and for coming generations.