Rosalie Varda

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This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.

A fairy godmother helps a princess disguise herself so she won't have to marry her father.

Set against the backdrop of an increasingly violent strike, a worker falls in love with the middle-class daughter of his landlady.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.

Agnès Varda takes us on a journey of discovery as she travels the globe—from Stockholm to St. Petersburg, Lisbon to Rio de Janeiro, Mexico City to Los Angeles—meeting with friends, artists, and fellow filmmakers.

The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.

A real estate agent from Paris arrives in Los Angeles to settle his late mother's estate, but a found photograph sends him on an impromptu journey to Mexico to find a woman named Lola.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.

Rock star Orpheus writes love songs for Eurydice, who designs his album covers. Torn between her and his sound engineer, Calaïs, he discovers Eurydice has died of an overdose. Desperate, he descends into the Underworld to bargain with Hades.

While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did not like her union activities.

Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.

Paris, Rue Beautreillis, July 3, 1971. The corpse of rock star Jim Morrison is found in a bathtub, in the apartment of his girlfriend Pamela Courson. The chronicle of the last months of the life of the poet, singer and charismatic leader of the American band The Doors, one of the most influential in the history of rock.

A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary explores their socialist culture and society while making use of 1500 pictures (out of 4000!) the filmmaker took while on the island.

Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').

Max, who dreams of adventures, abandons his studies at 18 to become involved in the navy. He becomes the sailor 512.