Peter Lipovský
Directing
Known For
A captivating story of a woman tested by a life full of passion, the cruelty of fate and unrestrained love. The film, which takes place in southern Slovakia, in the solitude hidden in apricot orchards, will draw you into the whirlwind of three men's passions for one fateful woman and her love for them, with all the sorrows and joys that only life can bring. The sun, the smell of ripening apricots and the search for your own happiness will win you over in the story of a strong woman who loves and longs to be loved... like all of us.
Apricot Island
No description available.
Návrat dažďovníkov
No description available.
Príbeh krajiny lúk
A nature documentary about the sustainability of contemporary riverbank habitats... In the past, we were surrounded by vast river worlds. All living creatures came together in the richest and ever-changing environment of lowland rivers. The freedom of river basins is now a thing of the past. We have also shackled the Danube landscape. We dammed the flow, cut off the side arms, fortified the banks, and drained the wetlands. Water can no longer bring new nutrients to the land. This also negatively affects the fate of golden bee-eaters, playful sandpipers, and wet-footed fishermen.
Živá voda, živý svet

Bratislava is a medium-sized European city. From an economic point of view, however, it belongs to the fastest developing regions of our continent. There is a constant hustle and bustle here. The city is becoming denser and developers are dividing up the last green areas. Buildings, often insensitively located, push out our inconspicuous neighbors from Bratislava. We start to miss them - so we look for replacements. We subconsciously feel that we are part of nature. But at the same time we also need a city. We live here, work here, go to school, shop in countless supermarkets. We enjoy walking through the old streets and along the Danube embankment. We live, or perhaps rather survive, in a city environment. On the fortified banks of the Danube, in the middle of concrete and asphalt. But fortunately, we are not alone here, as evidenced by the attentiveness of filmmaker Branislav Molnár.