Directing
Artist Antoine has lost all inspiration and slipped into alcoholism since the death of his wife Irène, a loss he blames himself for. Suzanne is a penniless sideshow performer pretending to be a clairvoyant, whom Antoine consults in a bid to connect with Irène. Antoine’s dealer Armand, desperate to keep Antoine from falling apart, urges Suzanne to keep the ruse alive. She stages a series of improvised hypnosis sessions, claiming she can channel Irène in exchange for having her debts paid by Armand.
The life of Jeanne Bécu, who was born as the illegitimate daughter of an impoverished seamstress in 1743 and went on to rise through the Court of Louis XV to become his last official mistress.
Since 2014, France's restorative justice programmes have offered a safe space for supervised dialogue between offenders and victims. Grégoire, Nawelle, and Sabine, victims of heists and violent robberies, agree to join one of these discussion groups alongside offenders Nassim, Issa, and Thomas, all convicted of violent robberies. Meanwhile Chloé, a victim of childhood sexual abuse, prepares for dialogue with her own agressor after learning he has moved back into town.
Alma, alone in her big townhouse, and Mina, a single mother from a housing project in another city, have organized their lives around the prison visits they make to their respective partners. When the two women meet in the room outside the visiting area, an unlikely friendship begins...
Jeanne lives with her two friends, Alba and Léa. On her way home from a party, she runs into an insistent boy. When she says no, he doesn't listen. She can't get it out of her head.
France, 1625. Women! They’re women! With fake beards, chest binders and pants underneath their outfits, they are indeed women. Sara, a young girl on the run, unmasks the true nature of the three musketeers, protectors of the Queen of France. She decides to join these powerful women and their dangerous idea: dress as men to live free, even at the risk of their very own lives.
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