Alexandre Rignault

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No description available.

It is the start of the 14th century and Philip IV the Fair reigns supreme over France. His three sons would rule after him. Isabelle, his only daughter, is married to King Edward II of England. Under Philip's reign, France is great but its people are unhappy. Only one power dares to stand up to him: the order of the Knights Templar. When the last Grand Master of the Temple, Jacques de Molay, is burned at the stake, he curses Philip and so begins a dark period, full of blood and violence, death and tears ...

In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.

Duke Philippe de Nevers is an influential and popular man who is married to a beautiful wife called Aurore. His rival Philippe de Gonzague hates him enough to organise an attempt on him. The Duke is accompagnied by Henri de Lagardère when de Gonzague's henchmen altogether attack him. Lagardère cannot save his friend because the both of them are hopelessly outnumbered. He has to escape in order to save the Duke's daughter and swears revenge. Together with his old buddy Passepoil he raises the little girl in Spain. At the same time he returns frequently to France where he detects confronts his friend's murderers and puts them to the sword one by one until only their former leader is left. Finally he discovers that Philippe de Gonzague is the man for whom he is looking.

Dr. Génessier is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane, who outsiders believe is dead. Dr. Génessier, along with accomplice and laboratory assistant Louise, kidnaps young women and brings them to the Génessier mansion. After rendering his victims unconscious, Dr. Génessier removes their faces and attempts to graft them on to Christiane's.

During World War One, in a small rural French village far away from the front, a gamekeeper and his wife take in children displaced by the war.

Cashier Maurice Legrand is married to the wretched Adele. By chance, he meets Lucienne, 'Lulu', and makes her his mistress. He thinks he has finally found love, but Lulu is a streetwalker, still in love with her pimp.

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A scandalised Frenchman returns from Africa where he has been involved in illegal trading of mines (resulting in the deaths of many African miners). His bourgeois family are wary of the shame that he will bring so he must try to redeem himself and his family's name.

Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.

Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.

The World War I is declared. The french pioneers of aviation are requisitioned, but they try to renew with the spirit of chivalry.

Fanfan is a young handsome peasant. He joins the army to escape marriage because a gypsy girl predicted he will get glory and the king's daughter as a wife. But the gypsy girl was in fact Adeline, the daughter of the recruiting officer. Once he has discovered the stratagem, Fanfan refuses to forget this dream and decides to fulfill the destiny of the fake prediction.

Volpone, an elderly Venetian, connives with his money-crazed servant to convince his greedy friends that he is dying, knowing that each will try to curry favor with him in order to be named his heir. He is inundated with valuable gifts, and soon finds himself entangled deeper and deeper in a web of lies.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

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Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.

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Professor Henri Laborit uses three people's stories to discuss behaviourist theories of survival, combat, rewards and punishment, and anxiety: René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing; Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite; and Jean is a controversial career-climbing writer/politician at a crossroads in life.