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Alexandre Rignault

Alexandre Rignault

Acting

Known For

Molière pour rire et pour pleurer
9.5

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

Molière pour rire et pour pleurer

1973Series
We Are All Murderers
6.7

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

We Are All Murderers

1952Movie
Boulevard
6.0

Boulevard focuses on Georges 'Jojo' Castagnier, an adolescent who lives in a poor room under the roof of a block of apartments in the Pigalle section of Paris. He ran away from home when he realized that his step-mother hated him from day-one. Among Jojo's many neighbors is the gorgeous Jenny Dorr , a nightclub dancer, whose lover he dreams of being. But, to Jojo's disappointment, Jenny becomes the lover of Dicky, a former boxer, who spends his time loafing about the Pigalle cafés. Jojo lacks for steady work, but manages to meet his financial obligations with a series of odd jobs. He tries selling magazines, which is a success for a while, though posing as Narcissus for two gay artists proves to be something of a disaster. Eventually, he woos Marietta, one of his other neighbors and a girl more suited to his age. But when things go really awry, Jojo becomes desperate and tries to commit suicide by jumping off the roof of his building

Boulevard

1960Movie