
Daniela Rojas
Camera
Known For

Regina receives news, she has obtained a scholarship to study abroad; she must decide whether to make the decision to leave or stay beside the people she loves.
Ahí donde no estamos

Through an unsent letter, the author travels through time and recalls moments when love affected him intensely. Evocative images explore how pain and beauty intertwine with maturity on a journey guided by childhood friends, political disappointments, fleeting romances, and the loss of loved ones.
Yo sentí su amor

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.
火藥, burn my eyes

During the trip back from their vacation, a young couple is stranded in the middle of the road and they lose all forms of communication, including each other.
En el camino

Ximena has been a victim of sexual abuse. The investigation of his case seeks to find the responsible. Carlos, Ximena's husband, is the one who encourages the case to be resolve. The investigation finds the crime scene and the presumed responsible. However, Carlos does not have the money that the prosecutor asks for sentence those allegedly responsible.
It smells of shit, it smells of being

Eric and Ariadna are students of an anachronistic restrictive school. In love with each other, they decide to disobey the rules hoping not to be discovered by their teacher.
The Age of Decency

After surviving three years as victims of sex trafficking, sisters Iris and Dulce recall their experience, reflecting on such topics as female companionship, re-meaning their bodies, and restoring dignity to their lives.