Virginia Pitts

Witness a dinner party with a diabolical main course - obsession is put to the limit when a scorned and demonic woman traps the man of her dreams, submission has never been so terrifying!!! - a grizzly murderer is forced to cover his trail without losing his mind. These eerie tales from the grave will leave you at the edge of your seat, screaming for more. Things are often not what they seem.

A journey through the life of Fergus McLafferty. Fergus needs a role model. He chooses a fish with four legs - an axolotl. This inbred freak of nature becomes a metaphor for Fergus' life. The Imploding Self traces Fergus's emotional turning points as he identifies more and more with is axolotl. A lonely, obsessive child turns into a lonely adult, out of touch of reality. As Fergus's mind and body decay, a psychological metamorphosis appears to become a physical reality - or has our reality become his?

When 11-year-old Billie asks for her older sister's trust, both are in for a surprise. In this engaging spine tickler, an unexpected third party makes an appearance as Billie tries to reforge childhood bonds with her teenage sister.

Witnessing the disparities and conflicts among a group of young adults, a clear-sighted 10-year-old boy triggers a series of musical, choreographic and culinary conversations. Drawing on the languages of music, narrative, dance and cinema, Beat explores the challenges of bringing together a diverse group of individuals without quashing their differences.