Bruno Humberto

An introspective journey in the mind of the protagonist, the film explores the themes of perception, influence, madness, and obsession. A man meets a mysterious woman and remains inexplicably fascinated by her. Adoration turns into an obsession to the point that the woman will remain an obsessive presence in the man's life even after death. Based on the novel by E. A. Poe.

A bronze figure declares his love to a woman, Isabel. Isabel recognises her inability to reciprocate this feeling and to surrender to this relationship. This story is staged by a Third Person, in a closed room with no time, in an atmosphere of urgent search for perfection in the performances of the two interpreters. The Third Person is, in turn, observed by a Fourth Person.

When a sudden gust of wind sends her scarf flying out the window, Ema leaves her post to retrieve it. But this gesture sets in motion an absurd journey, as her compliant coworkers repeatedly try to hold her back. Feeling increasingly isolated, Ema longs to fit in, but refuses to fully surrender to the absurdity of the situation.