Robert Scholz

Among the vertical rockfaces of Saxony athletic Gaston saves the lives of four climbers. Both rescued ladies fall in love with him, one helps finance Gaston's futuristic invention, but the financier is darkly connected with Gaston's fate.

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Young Miss Fob is blackmailed into marriage by evil banker Harry Fellips.

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At the height of Reign of Terror Maximilien Robespierre orchestrates the trial and execution of several of his fellow leading French revolutionaries including Georges Danton.

In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she works for her uncle. Soon after, her lover Andreas is in France to organize the sailors in Toulon. So also is a thief, traitor, and libertine, Khalibiev, who wants to seduce Jeanne. His schemes, Jeanne and Andreas's naivete, and a lost diamond bring the lovers to the brink of tragedy.

Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.

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Based on Maurice Level's novel "L, Angoisse". The final film of Ilse Wilke.

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French aristocrat falls for Russian nightclub singer, gets involved in underground Russian revolutionary movement. Parts 1 and 2 were re-edited in the only surviving copy named Daughter of the Night.

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Based on the play Henry IV by Luigi Pirandello. Conrad Veidt plays Count di Nolli, a nobleman who, after a head injury, imagines he is the medieval emperor. His friends and relatives choose to play along, dressing up as medieval courtiers, but is di Nolli truly mad, or just pretending? The art direction was by Hermann Warm. It was shot on location in Italy. 6 acts, 1856 meters.

An international gang of thieves and swindlers decide to move their criminal operation to the Teutonic city of Cologne, but Tom Wilkens, one of the best agents of the international police, is not far behind and leads an investigation to unmask the criminals.

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Deviating from the historical facts, Lola is introduced as a young Spanish “Gypsy” who becomes involuntarily embroiled in an attempt to poison the Infante of Spain (a short but splendid cameo by Heinrich George). As a result, she has to flee the country, arriving first in Italy, where she is taught how to act like a lady. Later, in Paris, she is invited to dance at the city’s prestigious opera house, becoming a worldwide sensation. She then becomes secretly involved in a revolutionary plot by Louis Napoléon, the future emperor of France. When the plot fails, Lola is once again forced to flee, this time to Munich, where she captures the attention of Ludwig I. Their ensuing affair arouses a great deal of hatred among the people and the establishment, however. In the end, Lola has no choice but to leave again, and vanishes into the night mist.