Hanaa Nassor

Family Crisis / Azma A'iliya (2017) is a Syrian comedy-drama set against the backdrop of the country's turbulent political climate. A father finds his old values challenged by the chaos around him, a wife obsessed with emigrating abroad, and university-educated children who turn the house into a laboratory for their scientific experiments. The collision of generational attitudes, ambition and survival instincts in one household drives the comedy and drama.

An issue of social sensitivity, a matter related to what is called honor, through the story of Nurse Asia, who decides to help many girls get rid of their out-of-wedlock pregnancies before they are buried and killed with the dagger of honor.

In the 12th century's Andalusia lives Ibn Rushd a prominent Islamic philosopher with his wife Zeinab and daughter Salma. The principality is ruled by Khalifa ElMansour who has two sons, ElNasser, an intellectual that likes Ibn Rush and is in love with his daughter Salma. The younger son Abdallah is more into dancing and poetry, spending most of his times with the gypsy family and getting the daughter pregnant. The Khalifa is depending on the extremists to build his army granting them more power which they use to combat artists and philosophers. The extremists succeed in recruiting Abd Allah and train him to kill his father. Events go on where Marawan, the gypsy singer, is killed and Ibn Rushd's books are burnt. Adapted from the real life of Ibn Rushd AlMasir is Chahine's statement against extremism.

The story of a family consisting of a father who is about to retire, his wife who works as a seamstress, and their four children who are in various grades of school, shedding light on the challenges that each of them faces.

Based on Ghassan Kanafani's novel, 'Returning to Haifa,' this film, set in 1967, centres on a Palestinian couple who return to the war-torn city to search for their young son Farhan, whom they were forced to abandon when fleeing Zionist acts of terrorism in 1948. Saeed and Atefeh's own house has even been taken over by a Polish Jewish family, who, it transpires, are holding Farhan hostage. It is up to the couple, with the assistance of Farhan's steely grandmother, to find a way to reclaim their lost son. One of the few Iranian films to tackle the Palestinian issue from a historical perspective, this stunning piece of work from Seifollah Daad features meticulous attention to period detail and moving performances.

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