Giddens Chan Wun-chak

Raymond is a boyish thirty-something content with his wife Nancy and son Kai Zhen who studies K2. Nancy decides to spur up Kai Zhen's "talents" with an onslaught of extracurricular activities. They are tickets to a handful of certificates and awards so that Kai Zhen will not be overshadowed by other kids and may receive placement in more elite schools. Disapproving of the move, Raymond hopes his son could enjoy his childhood. Nancy insists and asks Raymond to find Kai Zhen a referee for school enrolment. In the meanwhile, Raymond was sacked and had to leave his job of twenty years. A painful journey begins with his job hunt and eventual sale of his own favourite toys and pleasures. For the sake of his son, he swallows his pride and begs his old boss to be his son’s referee.

In order to fulfill the expectation of her mom and her grandpa, Nam is raised as a boy since she was born. She dresses like a boy every day before going to school, gets changed back to a girl’s uniform, and puts on a boy’s outfit before heading home. Her hysterical mom anticipates the return of her husband, which is a dream never come true. Nam finds her only shelter at her childhood friend Yeung’s house, a place where she can finally be herself, i.e. doing laundry for her underwear. But her life changes on the day when Yeung disappears.

Death is a moment whose reverberation endures for the living. Three students from the Audio-Visual team are shooting a documentary on a schoolmate who has recently committed suicide. It is intended to convey a ‘positive message’ to the entire school about the importance of life. During interviews, the students notice some discrepancies in the testimonies, particularly those by a prefect and a teacher, while friends of the deceased seem to be withholding some inconvenient truth. Should the team pursue the truth, or act as the school’s propagandist? Filmed in a mocumentary style, The Handbook of Suicide Prevention challenges and exposes the hypocrisy and suppression that haunt adolescence.

Anger breeds anger, and hatred breeds hatred. Restaurant owner Mr. Wong stresses about the business when he has to face rent increases every year. Restless and tense, he channels his anger to Ka Yeung, the timid newest employee. Taunted by his customers, his boss and life in general, Ka Yeung is barely keeping his head above the water with his father being an unlicensed hawker. One incident escalates to another like a Greek tragedy and anger spirals out of control, causing irreparable outcome. This is a story about two men who live in an unforgiving city, both trying to find their way out but ended up hurting each other.

Japanese band Aomori Hensou is the only thing that makes Mei Bo feels alive in this mundane city until she meets Lily, her new neighbour. It happens that Lily is also a huge fan of the band so they start to get along with each other like twin sisters. They wander around the city, from second-hand CD shops, to goldfish market, and other secret spots that nobody knows. Lily eventually gets tired of the excitement from Mei Bo and starts exploring the city on her own. One day Lily appears at the door of Mei Bo’s home together with the news of the break up announcement of their favourite band, but there is only an empty room left in front of her.