Acting
SMAP×SMAP was an ongoing weekly Japanese variety show on Kansai TV and Fuji TV starring the members of SMAP. The show began on April 15, 1996 and it aired from 22:00 to 22:54 every Monday. The show's usual ratings were higher than 20%, which is considered high since most variety shows range from 10-20%. Each episode begins a variety of skits, comedic performances, and/or games. These are followed by Bistro SMAP, in which the SMAP members compete against each other to impress celebrity judges with their gourmet cooking. Last is a musical performance by SMAP which may include celebrity guests, as well.
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When Sosuke, a young boy who lives on a clifftop overlooking the sea, rescues a stranded goldfish named Ponyo, he discovers more than he bargained for. Ponyo is a curious, energetic young creature who yearns to be human, but even as she causes chaos around the house, her father, a powerful sorcerer, schemes to return Ponyo to the sea.
Upon being sent to live with relatives in the countryside due to an illness, an emotionally distant adolescent girl becomes obsessed with an abandoned mansion and infatuated with a girl who lives there - a girl who may or may not be real.
Daigo, a cellist, is laid off from his orchestra and moves with his wife back to his small hometown where the living is cheaper. Thinking he’s applying for a job at a travel agency he finds he’s being interviewed for work with departures of a more permanent nature – as an undertaker’s assistant.
1962 Japanese movie
A newlywed wife suffers the consequences for her husband’s actions when he cheats a customer at his credit company out of a large sum of money.
Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.
Brash, loudmouthed and opportunistic, Kikujiro is the unlikely companion for Masao who is determined to see the mother he has never met. The two begin a series of adventures which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and unique characters along the way.
A married woman and her lover murder her husband and dump his body into a well, but his ghost returns to haunt them as the local gossip intensifies.
Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering on a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.
High school student Naoki Tomura grew up in a remote area in Hokkaido. He meets piano tuner Soichiro Itadori in school and eventually decides to work at Itadori’s musical instrument store. Tomura gradually grows as a piano tuner through his interactions with the other tuners and musician clients
Shinigami-kun, alias grim reaper #413, is a rookie who pronounces the death of those scheduled to die and brings souls to the nether world. He would appear with the signature phrase “Congratulations! I’m here to call on you” although it is hard to say how this can be a happy occasion, and watch over the dying. To a grim reaper, persuading people attempting to commit suicide and preventing unforeseen deaths is also an important task. But because #413 is new to this grim reaper work, he has a tendency to lean towards humans in his judgments, break the rules of the nether world and get reprimanded by his superior.
The film is set in Fukagawa in the early Showa period and depicts a fateful confrontation between two men who rise and fall in a black stream, trying to live a real human life, violating the cruel laws of the passing generation.
Nakata (Keiichiro Akagi) is a nihilistic young buck who is willing to do anything to get money in his pockets. As he knocks back a couple drinks that he knows he won't be able to afford, a former marksman-turned-bad, Ishioka approaches him. Ishioka is looking for an unaffiliated hit-man who is willing to handle some business. Nakata is just the right man for the job.
Arisa is fascinated by humans. So much so that she leaves the magic world. But the broom she uses is faulty and she winds up in Japan. There she meets Joji Matsui who works at an advertising agency. Joji has been assigned by his boss Ichio Suzuki the difficult task of winning over Shiori Nomo who is in charge of corporate communications at a client. However a little word from Arisa helps Joji win over Shiori and his agency gets the opportunity to pitch. Arisa and Joji fall in love and marry. Arisa swears never to use magic again as she and Joji begin their strange witch/human married life.
Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.
