
Vinícius Amaral
Directing
Biography
Vinícius Amaral is a Film student at the Faculdade de Artes do Paraná. His research in the academic field interests focus on the refinement of styles of mise-en-scène. Professionally, he works primarily as an Assistant Director.
Known For

What binds us to the images we create? If the act of capturing them belongs to us, to whom does the image belong: to what allows itself to be seen, to the one who records it, or to the one who first imagined it? Between thought and the world, perhaps the image belongs to no one or passes through everyone.
Of the Things That Belong to Us and That We Leave Behind

After 23 years living with his mother, Francisco is moving. The last week of coexistence between him and Ana is marked by intimate conversations, small arguments, advice and everyday life.
My mom cooks the best soup

No description available.
FANTOMA

Documentary about the preservation of Brazilian films on celluloid.
I Lifted My Hands to the Sky and There Was No More Light

Maria takes on the responsibility of caring for her elderly mother, Conceição. During dinner, Conceição refuses to eat, causing Maria to gradually lose her patience and leading to an argument between the two.
The Mother and the Daughter

No description available.
Migalhas
No description available.
Aquiles era um Twink

No description available.
Sorriso Amarelo

A surrealist queer experience. Sweder, one day as he prepares to cut a fish, feels somehow touched by the commercial that is playing on TV about the consumption of animal flesh and violence, so he decides to adopt the fish and treat it like a son.
Electric Fish

No description available.
Brian by the Moonlight

The shooting of “Rio e Luar” is about to begin. What the crew doesn't know is that Max, the film's director, is in a secret relationship with Hugo, his photography trainee. The situation becomes even more complicated when Hugo decides that it's time to tell the world how they feel about each other, even if it jeopardizes their careers in the prejudiced film industry of the 60's.
Rio e Luar

No description available.
Quadrilha Arrasta-Quarteirão

What defines who we are: what we see in ourselves or what others see?