Maria Amada

On a sunny afternoon in Lisbon, Manel leaves home to look for work. He comes across an old church and remembers his late friend Pedro. The history of this space intertwines with Manel's emotional journey.

An immigrant mother, hurting from a backache, calls for her son to help carry her groceries home. Along their way, they talk about the future through the past, returning to all of their disagreements, disillusionments, rancor and resentments.

Pedro travels for the first time in one of the vans leading a group of workers to France. While, for the others, this is another work trip, each kilometer brings Pedro closer to a place that seduces him: the colossal mountains of the Alps.

For as long as she remembers, Francisca lives with an inexplicable and uncontrollable aversion to belly buttons. Nothing makes her more anxious than this simple part of the body and the shapes in the world that resemble it. When therapy isn't enough to solve her cherished phobia , Francisca turns to other types of methods - without any scientific basis and not recommended for anyone who suffers from the same condition.

In a moment of necessity, Rita turns to a childhood friend and old partner in crime, Eddie, the only person whom she trusts and who will help her commit an illegal act that is going to help them both in the lives they lead.

In the mid-1980s, during a summer day, Rui Carlos and his friends Maranau and Tomané enjoy their free time in the neighborhood, between football matches and playful games. Rui Carlos repairs his worn-out shoes and heads out to borrow a valuable football from their neighbor, Dona Olinda, who daily entrusts it to him. As the teams are chosen and the game begins, typical neighborhood interruptions ensue: a visit from Mascote the dog, a break for lunch, and spontaneous games. But when the ball gets punctured, Rui Carlos is left to face responsibility and the realities of growing up.

Struggling to settle in her first apartment, Laura returns to the space where she has always been happy, the beach where she spent holidays with her parents. For the first time, she feels the urge to say goodbye to her childhood in order to create her own space.

Joana, mother to Vicente, is slowly transforming into a woman-wolf hybrid. Vicente, who has been feeling more and more distant from his mother, lives through a brief event that separates this day from others, gaining hope that the relationship between the two isn’t doomed, and imagines how their joint healing process would be.

Sometimes, the hardest step in a day is the first one. In Sono Solto, our hero fights a battle against himself: is it worth it to leave the confort of the duvet and live life outside? By means of a fragmentary narrative, built on dreams and association, this short film follows the protagonist's speculation on activity and passivity, the passage of time and the (dis)advantages of being awake.