Jacques Higelin
Acting
Biography
Jacques Joseph Victor Higelin (18 October 1940 – 6 April 2018) was a French pop singer who rose to prominence in the early 1970s. Higelin was born on 18 October 1940. His father, Paul, a railway worker and musician of Alsatian descent, introduced his two sons to various forms of music, while his mother, Renée, of Belgian descent, raised them both. Higelin's entertainment career began at age 14, when he left school to work as a stunt double. While playing a number of minor roles in motion pictures, Higelin was taught to play the guitar by Henri Crolla, a French-Italian jazz guitarist and a composer of film scores. By the early 1960s, Higelin was attending the René Simon drama school, where he won the François Perier award. For two years beginning in 1961, Higelin served in the French military in various countries. Upon returning to France, he resumed his film career but increasingly began to focus on music. By the end of the decade, he had become very active in the artistic underground in Paris and began to channel his music towards radical activism. Higelin began attracting popular attention through his live concerts, typically held in smaller venues, and released his first solo album in 1971. By the middle of the 1970s, Higelin had become one of France's most successful pop musicians, and he remains influential to this day. In the 70's Higelin was in a relationship with a French-Vietnamese woman called Kuelan Nguyen. She accompanied him during the recording of an album at Château d'Hérouville Studio, where Iggy Pop was also recording his debut solo album "The Idiot". Iggy Pop became infatuated with Nguyen, who rejected him, but the incident inspired the song China Girl, which later became a hit when re-recorded by David Bowie. Higelin had three children, all of whom became artists: Arthur H, singer, born to Nicole Courtois in 1966; Kên Higelin, actor, born to Kuelan Nguyen in 1972; Izïa, singer, born to dancer Aziza Zakine in 1990. Higelin married Zakine in 2011. Higelin died on 6 April 2018 in Paris. Source: Article "Jacques Higelin" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For
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Champs-Elysées
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Sacrée Soirée
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Vivement dimanche
Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
Apostrophes
A talk show presented by Michel Drucker
Les Rendez-vous du dimanche
Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.
Le Grand Échiquier
A French variety show.
Numéro un
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Le monde est à vous
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Discorama
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Victoires de la musique
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Nulle part ailleurs
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Rockpalast
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Les Nuls, l'émission
A true sports story that utterly defies the odds, Duguay’s film captures the wild ups and downs of the Olympics-bound career of legendary equine star Jappeloup and his troubled rider, locked in a tense relationship with his horseman father and forever uncertain of his own skills as an equestrian
Jappeloup
Colette, une femme libre is a two-part French biographical TV film directed in 2003 by Nadine Trintignant and broadcast on January 25 and February 1, 2004 on RTBF, then on April 26 and April 27, 2004 on France 2. A biography of French writer Colette, it was also the last role for Marie Trintignant, who was killed by her partner Bertrand Cantat shortly before the end of filming at the end of July 2003.
Colette, une femme libre
An ill-assorted group of international criminals executes a tightly-planned ransom sting in Spain. Things go along swimmingly until various tensions within the group come to the fore.
Crime on a Summer Morning
It's a catastrophe! A flood has hit our planet and an unusual group of people are all that remains. Led by Ferdinand, a modern day Noah, this little group have managed to defy the furiously raging elements. People and animals alike are dragged through this incredible whirlpool of an adventure.
Raining Cats and Frogs
A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.
Lest We Forget
The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.
The Year 01
Pierre has disappeared. His ex-wife Fanny, their daughter and Maria, "the other", go looking for him. There and at the Grand Hotel de Cabourg with a very young new conquest. Each in their own way will try to flush him out and allow him to come to terms with himself. In the midst of all these women, Pierre Flanche stiffens up, questions himself with his aggressive but aging charm. The finale in the mist of the beach is like the random movement of feelings.