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Janet Banzet

Janet Banzet

Acting

Biography

Janet Banzet (who often used the stage name of "Marie Brent" and several other names) was a Texas born actress who was in many sexploitation films of the late 1960s and early 1970s. She starred in several provocatively titled films directed by Michael Findlay and Joseph W. Sarno. In 1970 she was in The Party at Kitty and Stud's better known under the title Italian Stallion which is Sylvester Stallone's first film. She passed away in 1971 of a suicide.

Known For

Breakfast at Tiffany's
7.6

Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.

Breakfast at Tiffany's

1961
The Party at Kitty and Stud's
3.9

Stud's world revolves entirely around sex, sex, and more sex — an interest he shares with his way-out friends and his girl Kitty, who likes her men mean and muscular!

The Party at Kitty and Stud's

1970
The Beast That Killed Women
3.6

Panic and fear strike the hearts of the terrorised sun-kissed nudist girls of a once peaceful nudist resort in sun-bleached Miami, when a mysterious, yet menacing intruder manages to find his way in the camp.

The Beast That Killed Women

1965
No image
3.8

Driving through New York City in his Sexmobile, Dr. Harrison Rogers of the Bureau of Sexological Investigation, searches out luminary figures in the world of sex.

Is There Sex After Death?

1971
The Amazing Transplant
4.3

A nice guy turns murderous after undergoing a penis transplant.

The Amazing Transplant

1971
Keyholes Are for Peeping
3.7

After earning his degree through a correspondence course, Stanley uses his newfound knowledge to help his neighbors reignite the flames of passion. Little does anyone realize that their most intimate moments are all eye candy for the lonely maintenance man who has open access to the entire building.

Keyholes Are for Peeping

1972
The Ultimate Degenerate
4.8

Man drugs, photographs & tortures women he meets by personal ads.

The Ultimate Degenerate

1969
Mini-Skirt Love
3.5

Billy is a teenager and enthusiastic photo hobbyist who takes pictures of his mother carrying on with another man, but is too naive to realize his mother is engaging in more than innocent horseplay. When he innocently shows his pictures to Daddy, he unwittingly starts a melee that ends in Daddy's accidental death and Mommy's mental collapse and confinement in a hospital. Enter Aunt Janet, Daddy's sister, to take care of Billy. Supposedly a frigid woman who "can't stand men", Aunt Janet is nevertheless loving and affectionate with young Billy, and when she sees the fatal snapshots, she even takes their relationship to the next level. But can their happy life together survive the return from hospital of a still-disturbed Mommy?

Mini-Skirt Love

1967
No image
10.0

No description available.

Interplay

1971
Lusting Hours
3.6

Presented as an inquiry into the ways of lust, this film is staged as a documentary. It moves from rural prostitution (the roadhouse) to pornographers, then on to streetwalkers, male hustlers, and high-class call girls. The madam runs the bordello, she depends on the photographer to supply her with pornography; he's in the city, using his camera to lead him into depravity. The streetwalkers risk arrest from the cops and abuse from the johns. Even the call girls have a tough time: from their expenses to their lack of self-reflection. Their motto: "Live fast, die young, and make a beautiful corpse."

Lusting Hours

1967
Strangers in the City
5.0

When their father loses his job, members of a Puerto Rican family struggle to survive in New York.

Strangers in the City

1962
The Girl Grabbers
4.4

Nick and Louie are two degenerates who assault a young woman in her Greenwich Village apartment. The woman's boyfriend, Paul, embarks on a quest to find and get revenge against the two thugs which leads him to the seedy underbelly of New York's red light district from a strip club to a local brothel where Paul meets and has sexual encounters with a few women to learn the identity of the two 'girl grabbers' leading to a drug deal between the two thugs and a powerful gangster.

The Girl Grabbers

1968
Teenage Gang Debs
5.5

A girl from Manhattan moves into a neighborhood that is the turf of the Rebels, a female teenage gang. She quickly rises to the top of the gang, and sets her sights on the leader of the local neighborhood tough guys.

Teenage Gang Debs

1966
Venus in Furs
4.9

A muscular hunk works selling shoes, but has a very overactive imagination. He falls asleep while reading "Venus in Furs" and dreams of Venus herself, speaking to him in poetry while he caresses her feet and waits on her as a servant. He also stares at women on the subway and imagines kissing and making love to them. After spending his day waiting on beautiful flirtatious women on his knees, he picks up Marna, a mysterious woman in the library, who invites him to her secluded mansion to join her assorted other guests for a weekend of sensual depravity.

Venus in Furs

1967
The Kiss of Her Flesh
5.3

Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria, is hellbent on putting an end to his orgiastic rampage.

The Kiss of Her Flesh

1968
The Sex Cycle
5.3

The Cocoa Poodle bar is the central meeting place for the denizens of a bohemian suburban area. Janet, a rather colorless model, is jealous of her artist/mentor Tanya, who attracts the attention of all the local guys. An exotic card-reader offers her a pair of earrings which will give her power over others. She soon becomes the center of attention, but commits a fatal error.

The Sex Cycle

1967
Julie Is No Angel
3.7

The many sexy adventures of a sophisticated young woman.

Julie Is No Angel

1967
The Wall of Flesh
3.7

Anthropologist Laurie suggests her frigid friend Vera get sex therapy which opens up the floodgates when multiple women (including the anthropologist's sister and a sex therapist) find themselves drawn to the husband.

The Wall of Flesh

1968
Come Play with Me
3.3

Jan Cousins, brutally raped by her date, returns to boarding school, and there she is confronted by Clarice, a lesbian who seduces her. Jan seeks sexual fulfillment from her boyfriend, Roger, but his strict upbringing has left him with a perverse need to be spanked. Roger appeals first to a prostitute, then to Clarice, and finally to Jan for spanking, but she reacts with shock and tears. Her psychiatrist suggests that she find a normal man, but her successive dates are even more abnormal than Roger. She modifies her standards of normality and begins to accept all types of behaviour. She does some research on flagellation, whips Roger, and finally achieves sexual satisfaction.

Come Play with Me

1968
Death of a Nymphette
3.7

Recently divorced, Robert Allan meets Peggy at a party and she soon becomes his mistress. The affair ends, however, when Robert discovers that Peggy is a nymphomaniac. Robert next has an affair with Gloria, but it also ends when he discovers that Gloria, unresponsive with men, is a lesbian. Robert finds happiness at last with Frenchy, but their idyl is shattered when two men break into the apartment, overcome Robert and assault and murder Frenchy. Her death drives Robert insane.

Death of a Nymphette

1967