Kester Dixon

Theo van Gogh yearned for love, attention and freedom. How do his family, colleagues, friends and enemies view the radical way in which he worked and lived? And, twenty years after the murder of Theo van Gogh, how do we relate to the discussions he sparked at the time?

A young sailor learns that his friend has died of a heroin overdose. He watches the 8mm films he has made of his friend and discovers that he keeps the world at a distance from behind his camera.

Fifty years after making A New Village on New Land (1960), Van Gasteren and co-director Joke Meerman return to Nagele. What has Nagele become? He interviews residents and local officials and sees that over the course of fifty years, this model village has changed dramatically. The world turned out not to be as makeable as previously thought, and adjustments have had to be made on all fronts. The homes were too small, social cohesiveness is under strain and the original ideas, based on ideals, seem outdated. Van Gasteren also gets architects such as Umberto Barbieri and architectural historian Ed Taverne to speak, looking back at the work and ideals of their predecessors.