Luisa Urbina

Alejandra and her tow daughters buy groceries at the supermarket, to celebrate the end of the schoolyear. Since she can't afford all of it, she decides to steal a couple of things.

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At the end of the 1980s, a dancer recognized her father in the audience, now a trans woman, with whom she had not spoken for a long time because she was allegedly missing from the internal war in Guatemala. The dancer remembers episodes from her childhood and decides to look for her, leading to a possible reunion.

Through analogies, picture interventions, and experimental staging, a group of women create a collective testimony about the different kinds of sexual aggressions they've experienced. In the search for healing these wounds through sorority, they describe what happened, who they are, and who they want to be