Directing
London, today. A refugee washes up naked in a suitcase on the bank of the Thames. The enigmatic, sexually fluid stranger introduces himself to a bourgeois, upper-class family, who invite him to stay on as an employee. The Visitor soon seduces each member in a series of explicit sexual encounters. He will turn their world upside down as they can redefine themselves in new, radical ways.
Anti-British, spineless, out-of-touch, terrorist-sympathisers, communists, and a threat to national security. The media bestowed unsavoury accolades on Ken Loach and Jeremy Corbyn. They now step forward in order to change the narrative.
Anti-British, cowardly, out of touch with reality, terrorist sympathizers, communists and a threat to national security. These were some of the titles that the mainstream media attributed to filmmaker Ken Loach and former Labour leader Jeremy Corbyn. Now, they are destroying some of these old myths to change the narrative. The documentary addresses media bias, defamation and censorship, and exposes the mechanisms of the establishment and the British mainstream press, revealing how they exploit fear and discrimination to defame individuals, their ideas and the project they represent. But these tactics are not limited to the UK: the film draws parallels with other parts of the world, including the United States, Brazil and other European countries.
A London journalist returns to Brazil to face one of the demons of his adolescence: the Flour Test. This ridiculous experiment was conducted during the military dictatorship to determine whether army recruits were homosexuals. It consisted of having the men sit naked on flour to measure the circumference of their anus and the integrity of their morals. Unfortunately, this procedure is not limited to the past. Bolsonaro's ultra-homophobic government has attempted to introduce legislation similar to the infamous test.
Brazil has a long tradition of coup d'Ă©tats. These coups would have not been viable without the support of the big media, particularly TV Globo. Two Brazilian journalists in the UK reveal the manipulative tactics of these organisations.
A content producer experiencing a financial crisis, finds a way out of her problems with the use of AI, starting events that make us reflet about what we can sacrifice for success, and how disposable we are.
