Vsevolod Lisovskiy

Industrial city of Norilsk: factories, cold, chemical air. The only desire of young people living here is to leave, against all odds. A docu-style, emotionally-driven drama about a young girl desperately fighting for an escape which is so blurry, and for love which is so insecure.

A judge is devastated after the death of his wife and is neglectful of his children. His son befriends the children of a street beggar who live in an abandoned, derelict church. After his experience with his new friends, the young boy begins to feel sorry for his father and sympathizes with his loneliness.

A new young teacher Tatyana Ivanovna takes a problematic 5th"B" class and wins with the score 4:0.

Yaroslav Oktiabrev is a simple guy who works as a freelancer. But then fate presents him with a gift — it is necessary to consult online a former military man with the call sign "Brother", so that he takes old documents from an abandoned building, and you can forget about money problems in life. However, the military turns out to be an uncontrollable schizophrenic, and only a former colleague, crazy blogger Gennady Gorin, knows how to settle him down. On top of that, the customer begins to threaten Yaroslav with violence if he does not have time to do everything in a couple of hours. A seemingly trivial task suddenly turns into a real disaster, because of which the Person is already at risk of losing not only his job, but also his own life.

Pseudo-scientific documentary film that expresses a number of para- and pseudo- scientific views on the properties of water and so-called the memory of water, which are presented by its authors as scientific.

The slang word "Psevdezh" is a free translation of the philosophical term "simulacrum" and means a sign that does not have a signified object in reality. The heroes of the film are trying to understand whether the activity of others is this very pseudo-death. A team of young actors begins to work on a performance that is dedicated to conceptual artists, heroes of the 90s. In the course of work, the two creative groups constantly collide, and with each meeting, both in actors and in artists, mutual irritation will grow.