Kira Fung

Naked Nations is a deeply human, joyful, poignant and heartbreaking film about freedom and its many manifestations, fragility and limits, a film about life, depression and difficult decisions. But above all, a film about love.

Shan, a Hong Kong cosmetologist, learnt about the art of solitude during the lockdown period of pandemic. As the regulation of prohibition on group gathering was imposed in April 2020, Shan had to close down her small business and build a new daily routine.

Mohammad is a young asylum seeker from Pakistan. To make a living, he works illegally as a night delivery worker. He strives for a better life in a city with no identity and future in store for him. Despite his limited income, Mohammad helps out the single mother and her young son from Africa. He spends his days with his compatriots looking for jobs and waiting for their application results, hoping indefinitely for a miracle. Marginalized and ostracized, they survive in cracks and crevices of the city, trembling with rage and despair, waiting for dawn to come.

A night delivery man meets a woman who works in a publishing house. He helps her deliver books to a warehouse during rainy days, and in each encounter an endearing bond forms between them.

Three people in the flat with their own quirks, searching for the ways to understand and live with each other. Xiang's rebellion as ticking time bombs hidden in a hotel-like flat, as well as their relationships.

Four farmer-cum-robbers live together in a dilapidated house with a withered field. They discover a human finger inside a newly-harvested tomato one day. The gang leader decides to freeze it in the hope of selling it for a good price. Someone tells a story about a finger in a pub, so implausible that the listeners can hardly believe it. There are no fingers inside the other tomatoes and the gang remains poor. Tensions mount as the gang leader suspects a young member of hiding the secret of growing the finger-yielding tomato for his own benefit, leading to a big fight. The young man renounces his life of crime, but pays a hefty price…...

Sherman is a journalist working on a feature story about Kintsugi, the ancient Japanese art of repairing ceramics with powdered precious metals, a manifestation of the Japanese philosophy of embracing the flawed or imperfect. As she learns of a Japanese Kintsugi master's arrival in Hong Kong, she arranges an interview with him and brings along some broken ceramic pieces to the Kintsugi lessons. Sherman unexpectedly runs into her ex-boyfriend, Chun, whom she has not seen for a long time. Because of Sherman's feature, the two are re-acquaint with each other. Sherman is troubled about Chun’s entering her life again. The shattered pieces and the broken relationship - can all that be repaired?

Yumi works at a record store, dreams about Kurt Cobain could take her away from the boring life she lives. As she is approaching 27 years old, she begins to think about what can she do to resist the social norms.

Afa has ordered a robot, named AI 906, and they developed a strange relationship.

Cheung Yuk Fan feels suffocated in Hong Kong after 2019. 2021 Summer, She resigns from her job as an arts administrator and rents a flat in a sub-divided unit in an industrial building. She is determined to hide herself in this small world and start her own online trading business, forgetting about the distractions of the outside world. But one day, the beautiful sound of piano playing next door suddenly leads her into a realm of fantasy and illusion.

Life after university may be just dandy for people with passion and drive, but what happens if you are aimless, dreamless and hopeless? With no goals or ambition in life, a fresh graduate believes that she is an oddball destined for mediocrity. Her perfect solution is to be a slacker and to work part-time at a 12-dollar store. Unfortunately, the mundane life and wacky colleagues just add to her melancholy. The array of eccentric characters at the 12-dollar store speaks volumes on how the new generation perceives their less-than-rosy future.

Berlin, known for its freedom and inclusiveness of diverse subcultures, is a safe haven for many displaced people. But urban life may not provide the best living conditions. Idealistic traveller Moon struggles to find accommodation in Berlin but receives a helping hand from Anna, who is also a Hong Konger anxious about her unstable life. They temporarily stay at the 15-person co-living facility named Hausprojekt ‘K28’. However, this group of migrants—some have experienced social unrest back home and others just want to experience life in a foreign country—are facing eviction. Two women with very different personalities share what they have and face the hardships of life together. The Berlin-based director uses her perspective as an Asian woman to explore the clash between humanism and gentrification. Featuring Golden Horse nominee Elizabeth TANG and artist Sammi MAK in leading roles, the film deromanticises the situation of Hong Kongers living in a foreign land.

After years of illness, Ken’s wife finally passes away. Ken returns to his job as streetlight repairman after the funeral. Having to work at night, he rarely sees his daughter Ann, who develops a fear for darkness since her mother dies. Often left alone at home, she learns to grow up at a tender age. She makes her father agree to go out and play with her on the night of Mid-Autumn Festival, but Ken breaks the promise because of work. During the festive season, father and daughter try hard to re-capture moments of love and concern for each other.

Child finds her peace of mind in drawing but that does not please her mother at all. At school she is bullied by her Visual Arts classmates, while the teacher regards her works as ‘not up to standard’. One day comes a substitute teacher who introduces the different possibilities of art to Child and that there is no right or wrong when it comes to painting assignments. There has never been anyone in her life that brings her such inspiration. Holding her charcoal stick in hand, Child finally knows whose portrait she should draw.

A group of delinquent tricks a middle-aged man and steals his phone. Upon checking the phone's content, they find a short sex clip. While noisily commenting on the video, they cause the displeasure of two children, without realising they are getting involved in a gang dispute.

While protests rage in Hong Kong, Kit spends most of his time on his father’s fishing boat. The radio and his phone keep him abreast of the latest developments. The migration of his girlfriend and the destruction of his gang’s secret base accelerate his uncertainty and impotence about the future.

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Japanese band Aomori Hensou is the only thing that makes Mei Bo feels alive in this mundane city until she meets Lily, her new neighbour. It happens that Lily is also a huge fan of the band so they start to get along with each other like twin sisters. They wander around the city, from second-hand CD shops, to goldfish market, and other secret spots that nobody knows. Lily eventually gets tired of the excitement from Mei Bo and starts exploring the city on her own. One day Lily appears at the door of Mei Bo’s home together with the news of the break up announcement of their favourite band, but there is only an empty room left in front of her.

In an art studio, a young woman becomes the muse Calliope, observed and painted by the artists around her. Gradually, her gaze shifts toward the statues beside her, and she begins to transform into the statue itself.