Production
Amid bureaucratic obstacles, with little or no hope for real political and social changes in the country, a father and son find comfort and strength in their shared optimism for the future.
Sixteen-year-old Mina is spending summer days with her father, Andrej, at the mouth of the river Bojana. Andrej is a kite surfer and adventurer, and Mina tries to be the opposite. However, she falls in love with kite surfer Sasa. Sasa is older than her and he has a girlfriend, Sonja. The few days Mina and Sasa spent together do not change their relationship. However, in Mina's adolescent world, these days are changing everything.
In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.
After Kosovo's independence the first internationally recognized sports federation was the one of Table Tennis. Two local Ping-Pong enthusiasts see this as a great opportunity and start self-financing the training sessions for young players.
A girl wakes up in her nightmare about her unspoken trauma.
“Peroni 7” talks about the transformative impact of Kosovo’s liberalized visas and migration. Through personal stories of new beginnings and farewells, the film paints a touching picture of a nation in transition, striving for a brighter and more connected future.
"ARTISTRY" explores AI's impact on music creation, showcasing AI's speed and precision in composing and mixing. It examines AI's innovative capabilities and efficiency while questioning its ability to replicate the authenticity and emotional depth of human musicians. The film invites viewers to reflect on technology's role in music and the unique qualities of human creativity.
On the way to Brezovica, two skiers reunite. Along the way, they reminisce about the years they spent together, bringing to light the overlooked problems that come with the sport.
This short documentary captures moments of artisans at work.
The documentary "Escapee" unfolds the story of Shkurte Krasniqi, who ran away from her home in Vranoc at the age of 17 due to her family discontinuing her education. Shkurte recalls the most challenging moments of her life on the train to Peja, which she took for the first time when she pursued her university education in Pristina. This conversation between Shkurte and her niece serves as a symbol of resistance against the denial of the right to education, which is still denied to 10% of girls in Kosovo today.
Aleksandra is in constant conflict with society's norms and her own self. Every day, she rethinks how she ought to act in the modern world and what sort of impression she makes. I AM NOT JUST A… is an honest portrait of our reality.
During their residency in Kosovo, directors Meray Diner and Dafina Daka uncovered harrowing accounts of sexual violence used systematically as a weapon of war. More than physical assault, these acts were aimed at breaking families and silencing generations. Na Thojshin Lutko Moja draws on the testimonies of Kosovar women survivors to explore the hidden emotional aftermath shame, isolation, and the cost of breaking the silence. The film reclaims a collective memory often denied, offering a powerful portrait of resilience.
