Susana Moreira

The Sahara has been and is populated by peoples who have passed through and occupied it since time immemorial. The Sahrawis are one of these peoples. When Spain withdrew from its colony in 1976, Morocco invaded. Thousands have had to leave their lands to seek refuge in camps in the Sahara, in neighboring Algeria, and thousands have had to migrate to Spain and other destinations outside the Sahara. And it is the women who built the camps while the men fought, and it is they who have increasingly gained social, cultural, and political influence in the territory and in the diaspora. This is their history and their reality.

The filmmaker accompanies Sara Mamani to her hometown of Salta, revisiting the places of her childhood and adolescence and her beginnings in music with Cuchi Leguizamón. At her home in Buenos Aires, where she has lived for many years, Sara recounts her musical journey, interspersed with archival footage of her performances, including one with Jaime Torres. Finally, Sara travels to Jujuy to participate once again in the Tilcara Carnival, as she has done for so many years—a popular festival that nourishes her words and her music.

Documentary about the career of the Argentine documentary filmmaker Miguel Mirra.

Documentary film about three lives of Salvadoras Medina Onrubia. The Savior of her youth, the Savior of her later years and the Savior who returns from the past to conclude her final work Mil claveles colorados. At the same time, Salvadora as a fighter, anarchist and feminist activist, as a playwright, writer and journalist, as supportive and committed to the workers and as a companion of her companions, in all her complexity and nuances.

No description available.

Documentary that chronicles the daily life, cultural resistance, and mobilization of the Colla communities of Jujuy and Salta to recover their lands, which had been seized in successive conquests over four centuries. Images from Miguel Mirra's "The Mask of the Conquest" (1986) were used for this film.