
Ramo Teder
Sound
Biography
Ramo Teder (born September 15, 1970 in Viljandi) is an Estonian artist and musician (multi-instrumentalist).
Known For

The Eurovision Song Contest is an international song competition, organised annually by the European Broadcasting Union (EBU) and featuring participants representing primarily European countries. Each participating country submits an original song to be performed on live television and radio, transmitted to national broadcasters via the EBU's Eurovision and Euroradio networks, with competing countries then casting votes for the other countries' songs to determine the winner.
Eurovision Song Contest

Get ready for Eurovision... A Little Bit More! The Eurovision spin-off show that features exclusive performances from the Liverpool 2023 participants. The ‘Class of ‘23’ were tasked to submit reworked or remixed versions of their Eurovision entries; original material; and cover versions of their favourite songs. The results are now in and will be introduced by a different Eurovision legend each week over the next three weeks in a series of one-hour shows.
Eurovision... A Little Bit More

Puuluup: Cables in the Car, Still is a humorous and poetic music documentary about two middle-aged musicians who are bringing the long-forgotten Talharpa to world stages. Dry humor, absurd situations, and "neo-zombie-post-folk" music intertwine in a portrait where the glory of the stage clashes with everyday life and fatherhood. The film proves that late success can be the sweetest.
Puuluup: Cables in the Car

Eesti Laul is the national final in order to select the Estonian entry for the Eurovision Song Contest.
Eesti Laul

A giant girl lives in a wild rural environment. When the modern world enters this isolated Russian Old Believer milieu, the girl is taken away and dragged into the world of professional sports. The aim does not differ much from that of a circus in the Middle Ages – to entertain audiences and exploit the limits of people’s mental and physical abilities. But the girl proves to have unbelievable willpower and athletic talent. She is able to adapt and triumph in this new world. This is the story of the famous basketball player Ulyana Semyonova.
Ulya

A Finnish equivalent of Werner Herzog’s Grizzly Man, Hannu has a love and connection to nature that surpasses most. It is the rare lynx in particular that has bitten into Hannu’s heart – so much so that he actually claims to be able to speak its language. So when a dead lynx turns up in his forest, he dons an animal mask, crawls down on all fours and sniffs out the mystery through the mire and thicket. With hauntingly beautiful footage captured by hidden cameras throughout the forest, ‘Lynx Man’ paints a colourful and vivid twilight picture of the natural world around us – and of man’s impact on it. For no matter what Hannu does to live in harmony with the animals, he cannot hide from belonging himself to the species that is the lynx’s worst enemy. It makes sense that most of Juha Suonpää’s atmospheric film takes place in the twilight between dream and reality. Here, the vast forests come alive in Hannu’s hypnotic Night Vision footage of the nocturnal life of the lynx.
Lynx Man
Leo is a robot who lives in his cosy rusty house with a cat. On one fine day, a first guest ever, Lilleliisu, is coming to visit him. For this special event he starts to make preparations – the table needs to be set. The closer the guest gets, the greater Leo’s anxiety grows.
Robot Leo

With their openly Dadaist approach, Estonian Puuluup are giving Northern European folk music a fresh lease of life. Discover the phenomenon at the Europavox festival.
Puuluup @ Europavox Sessions 2025

Based on the famous Slavic folktale, which has been told for ages from the peasants point of view. The film shows the story from the underground angle - giving an overview of what really happened while the peasants were engaged in the cultivation of vegetables.
The Turnip

Anything can go wrong on the way to Africa.
Dangerous Migration Route

The life of a barn swallow is not easy. Everything gets mixed up while returning from Africa: bigger birds are pesky, ghastly shadows from previous centuries annoyingly stalky; the clay is all gone and the barn locked at night.