Acting
The Maverick boys - Bret, Bart, Beau and Brent - are a clan of well-dressed dandies, gamblers who'd much rather make their money playing cards than messing up their fine clothing with actual work. Sly and clever, none of the Mavericks are much for acts of derring do, but they can be courageous when the situation calls for it. Most often, however, they live by their wits and considerable charm.
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.
A Depression-downtrodden waif uses her brains instead of her body to rise from tyro con artist to crime boss.
Spies on opposite sides fall in love in pre-revolutionary Russia.
Alan Mitchell returns to New York to work for his father Walter, the owner of a fashion house that designs and manufactures dresses. To stay non-union, Walter has hired Artie Ravidge, a hood who uses strong-arm tactics to keep the employees in line.
Jessie, a young working class woman, seeks to improve her life by marrying her boyfriend, only to find out that he is no better than what she left behind.
A small railroad is being squeezed out of business by the tactics of a trucking company owned by gangsters.
Retiring from a life of train robbing, Benjamin R. Jones takes over the ghost town of Stillwell, knowing full well that the property belongs to Molly O'Rourke. Enter horse wrangler Tom Mason, who smells a rat and does his best to unmask Jones as the crook he knows him to be. Molly at first falls for Jones' scheme, but confronts him when a general feeling of lawlessness sets in. The villain, alas, has an ace up his sleeve: Molly owes back taxes on her property, which is ripe for a takeover.
A kooky waiter and sometimes vaudevillian promises to get his employer's daughter into a Broadway show. When he kidnaps the show's star, she gets her opportunity, as the understudy, to play the role and become a star herself.
Oh, Susanna! is a 1936 American Western musical film directed by Joseph Kane and starring Gene Autry, Smiley Burnette, and Frances Grant. Written by Oliver Drake, the film is about a cowboy who is robbed and then thrown from a train by an escaped murderer who then takes on the cowboy's identity.
Frances Farmer's second film is a typical B-programmer from the Paramount lot of 1936--up and coming stars (John Howard, Robert Cummings, Grant Withers, Farmer) in a concerning the Coast Guard and smugglers. The chief points of interest are the truly exceptional aerial sequences and Farmer's early performance.
A cowboy aids an orphaned girl whose cattle are being rustled by an outlaw gang.
Japanese spies attempt to subvert America's war effort; G-Men attempt to thwart their plot.
A just-married young woman attempts suicide after her husband tells her he really doesn't love her because he has become involved in an extortion racket, then finds herself becoming involved with the doctor who has saved her life and become attracted to her.
After being nabbed while trying to stow away on board an ocean liner en route to Hawaii, young Bobby Breen sings for his travel fare and, along with sidekick Pua, turns detective to recover stolen naval documents from crooks
Mary Gillespie is restoring the Col. Gillespie Circus to its former splendor after her father's death. With the help of her publicist boyfriend Jim, the sell-out crowds are returning to the big top. Egotistical equestrian star Senor Martinet, however, holds $60,000 of notes signed by the Colonel and due in 24 hours. When a mysterious shadowy figure is seen on the circus lot, and Martinet is murdered in the center ring during his performance, there are suspects aplenty, including Vindecco, Martinet's badly abused hunchback assistant.
Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann.
A ghostly and deadly dinner party, which at first turns out to be an elaborate staging of a new play for the benefit of a Broadway producer, becomes a true mystery when the players start to go missing.
European bad guy Baron Bendor leads some local townsmen in a plot to obtain horses through theft. Hoppy and his sidekicks Lucky and Speedy must find and expose the horse thieves.
A homeless woman living at the city dump hears of the death of a wealthy industrialist and puts in a claim on his estate for her daughter, who is actually the rightful heir.
