Harrison Nalevansky

In a surreal small‑town version of 2007 Texas, a young graffiti artist lands in jail and is coerced into spying on his cousin—suspected by an unhinged cop of dealing nuclear weapons. What follows is a frenetic, gross‑humored ride through conspiracy, over-the-top characters, and chaotic counterculture.

An acerbic narrator reflects nostalgically on the profound pleasure that was afforded to him upon once being offered a free bowl of beans.