Acting
Band of Gold is a British drama series written by Kay Mellor and produced by Granada Television. It was initially broadcast on ITV between 1995 and 1997. Starring Geraldine James, Cathy Tyson, Barbara Dickson and Samantha Morton, the series revolves around the lives of a group of women who live and work in Bradford's red-light district. Three seasons were produced (the third under the moniker of Gold, with only a small number of characters from the first two series).
Urban Gothic was a horror based series of short stories shown on Channel 5 running for two series between May 2000 and December 2001. Filmed on a low budget and broadcast in a later time-slot, it nonetheless acquired a following. It has also since been repeated on the Horror Channel. Set around London there is an underlying story thread that only becomes clear in the last episodes of each series. Each episode was different in style from the others, running the gamut of documentary-style independent film to spoof, to slick dramas similar in style to The Outer Limits or The Twilight Zone.
Kay Nambiar joins psychic Ian Lawman and paranormal investigators Paul Hobday and Chris Howley on a journey to some of Europe's most haunted locations, in search of definitive proof of whether or not ghosts really exist.
A bank robber seeks refuge in a desert gas station run by nuns, awaiting her boyfriend's release. An alien meteorite transforms her into a flesh-craving monster with a monstrous tongue, while her poodles become drag queens.
A struggling architect, being sued for divorce by his wife and struggling with booze and gambling, finds work remodeling a friend's strip club, the Paradise. There he meets a transsexual stripper who is bothered by accurate, but extremely violent visions of future events. The increasingly violent visions start including the architect, who doesn't believe in the prophesy. One who does however is a psychiatrist who is seeing both the stripper and the architect and is sleeping with the ex-wife. He uses the prophecies for his own financial gain. Finally the scenes from the vision move into reality amidst many plot turns.
Suburban housewife Liz discovers that husband Stephen is abusing their daughter. She confronts him and reports him to the authorities, but also decides to try to help him recover from what must be "a sickness". Stephen is tried and imprisoned. When he leaves prison, Liz arranges for him to receive treatment at a residential clinic for sex offenders, where he undergoes intensive therapy. Stephen finally faces his guilt and the consequences of his abuse. The family decide to rebuild their lives together. Is this right? Is it even possible? And – if they do - what's the emotional cost?
