Brian Burman

Depicts modern humanity as a product of the industrial revolution, which formed and cultivated a society based on mass consumption. This consumerism is illustrated through portrayals of our feeding, mating, and grooming habits, as well as ritual gatherings and retirement that manufacture a dependency on the capitalist system. Burman’s highly fantasized stop-motion claymation critiques the absurdity of integrating capitalism and humanity, which has altered the human experience into a measurement of one’s ability to mass produce and mass consume.

In a Japanese-American family, the mother is stealing the terminally ill grandpa's morphine, the airhead sister is having sex with the family lawyer, one brother gets perfect grades but is hiding a secret gay love of skinheads, and the other brother is a junkie. Over the course of one evening, the family falls apart due to their bizarre behaviour.

For the Balinese there are more important things than the accumulation of material wealth in one lifespan: They think it is better to lead their lives well and so acquire what they call Karma Pala. Good Karma ensures them rebirth into a new and potentially higher level of existence. The film looks at how the beliefs and occult ceremonies of these long bygone times have survived so well. The viewers witness some of the most mysterious rituals still to be found with one foot in the traditions of the past, the other firmly striding into the future.

A parody of The Gay Agenda, a popular right wing anti-gay video. Just as that video tries to prove that homosexuals are corrupting the moral fiber of our society, this one uses the same techniques to prove that heterosexuality is the greater threat-- with hilarious results.

Anna is working as a cleaning lady. Every night she cleans Helen's office. Helen is a high level broker working in the stock exchange. The two women live in different worlds and normally would never meet each other. However they happen to have enrolled on the same salsa course. Due to the lack of men, Anna and Helen have to dance together. A lesbian fairytale depicting the possibility of overcoming social borders.