
Adam Krawczuk
Acting
Known For

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.
Kryminalni

Three-year-old Nikola Szlezyngier disappears in unexplained circumstances and her parents Angelika and Dawid are the main suspects. Angelika contacts an old friend Joanna Chylka, a brilliant, cynical and successful lawyer to help. With her new apprentice Kordian, Joanna will try to bring the case to a happy close.
The Defence

The series follows the chairman of the ruling political party in Poland (Mr Chairman). The narrative takes place primarily in his office where, joined by his assistant Mariusz, he hosts numerous visitors, including government officials and other public office holders.
The Chairman's Ear

No description available.
Siła wyższa

No description available.
Drunk History: Pół litra historii

No description available.
Camera Cafe. Nowe parzenie

No description available.
Dziki 2. Pojedynek

When Kostek gets in the wrong taxicab and sees Luna, it is love at first sight. But Luna already has a girlfriend named Klara Rojek and is a lesbian so Kostek has more than a few things that are in his way of ever being with her. Kostek does whatever it takes to talk to Luna and tries to get her attention, including trying out for a porn movie Klara's feminist group is making. After some lengthily casting, Klara concludes that Kostek is the ideal guy for Luna to star in the film with.
The Perfect Guy for My Girlfriend

It's the early 1990s. Frik (Szymon Bobrowski), Kurtz (Przemysław Sadowski), and Piki (Aleksander Semchev) are childhood friends. They started out selling waste paper to collectors, then began searching for new ways to make money. They only began doing real business on the fledgling Polish stock exchange. In the space of a few months, they make their first million. Along the way, they run afoul of Kajzar (Jarosław Gajewski), a prominent underworld figure operating on the stock exchange. The friendship of Frik, Kurtz, and Piki is put to the test, as the former two compete for Dominika (Agnieszka Warchulska), with whom they have had a crush since childhood.
First Million

Wanda and Tadeusz host a christening for their granddaughter, tension simmering as they reluctantly invite Małgorzata and her psychotherapist friend Grażyna. Just when the family braces for a fraught gathering, Andrzej returns to Poland, stirring old conflicts and transforming the warm celebration into a battleground where no one is willing to back down.
The In-Laws 3

In the spring of 1945, the commanding officer of the National Armed Forces in Mazowsze and older brother of 20-year-old Mieczyslaw Dziemieszkiewicz, is assassinated by Soviet soldiers. Mieczyslaw then joins the National Military Union. He becomes the commander of a partisan unit fighting for the next six years to free Poland from Soviet tyranny by terrorizing the UB and its collaborators. Communist authorities will do whatever it takes to track down the "enemy of the people's power."
Historia Roja, czyli w ziemi lepiej słychać

Konecki works here with none other than Andrzej Saramonowicz who makes his debut as a film writer with this film that one could view as a spoof of today's cinema, focusing mainly on the part of "O Romeo, Romeo, wherefore art thou Romeo?"