
Lynette Linton
Directing
Known For

Four short dramas inspired by Black Lives Matter and exploring racism in its many forms.
Unsaid Stories

New York, 1930. Following a decade of creative explosion, the Harlem Renaissance is starting to feel the bite of the Great Depression. In the face of hardship and dwindling opportunity, Angel and her friends battle to keep their artistic dreams alive. But, when Angel falls for a stranger from Alabama, their romance forces the group to make good on their ambitions, or give in to the reality of the time. Lynette Linton directs a startling revival of this extraordinary play by Pearl Cleage.
National Theatre Live: Blues for an Alabama Sky

Leon, a mixed-race boy, and Jake, his white baby brother, are separated after their mother has a breakdown. Leon is determined to find him and gets unexpected support along the way.
My Name Is Leon

Beset by problems at home and abroad, a capricious king is forced to relinquish his ‘hollow crown’. As his supporters abandon him and his power trickles away, Richard reflects with startling eloquence on the disintegration of his status and identity. Adjoa Andoh and Lynette Linton direct the first ever company of women of colour in a Shakespeare play on a major UK stage, in a post-Empire reflection on what it means to be British in the light of the Windrush anniversary and as we leave the European Union.
Richard II

Walker Holt has big dreams for his tailor's shop, and an even bigger order to complete. Over the course of 24 hours he must work tirelessly to satisfy his new client's impossible tailoring needs. But as the night goes on, it's not just the trouser hems that start to fray as tensions rise and Walker's friendships and relationships are pushed to their limits. His success comes at a cost, but what price is he willing to pay? Lynette Linton (Blues for an Alabama Sky, Shifters) directs Michael Abbensetts' (Sweet Talk, Empire Road) era-defining drama, with additional material by Trish Cooke, in its largest ever staging. Celebrating this award-winning writer, the reinvigorated version of his seminal work illuminates the Guyanese experience of 1970s London and the aspirations and sacrifices of the Windrush generation.