Diana Bel

Just before wowing international critics and moviegoers with his adventure romp Fanfan la Tulipe, director Christian-Jaque dashed off the lampoonish Barbe-Bleue. Ostensibly the story of the famed wife-killing potentate Bluebeard (Pierre Brasseur), this lighthearted costumer begins as the title character is poised to march down the matrimonial aisle for the eighth time. Barbe-Bleue's newest spouse Aline (Cécile Aubry) is kept in line by her husband's claims of murdering her predecessors. But when Aline opens the famous locked door to the equally famous hidden room, both she and the audience are in for quite a surprise. The frivolous nature of Barbe-Bleue is underlined by its pleasing utilization of the French Gezacolor process.

The life of a weak-willed man is thrust into a downward spiral by the scheming of his manipulative girlfriend and her mother.

Fred Barker, an unmarried American who remained in France after heroically defending the country during the Second World War, runs the perfume factory in Grasse of his friend Carlo Ferelli, whose life he saved during the conflict. Fred has since adopted a little girl, Cathy. One day, he receives a visit from Félix Mercier, an old man who informs him that he has taken Cathy into his custody and that he will return her to him when Fred finds his granddaughter Hélène, a 17-year-old teenager who accuses the factory of being a front for white slavery. Fred, dumbfounded, sets out to find Hélène, so he can quickly get Cathy back.

Four young girls fall in love with the same man.

Valuable documents have been stolen from a British laboratory. Slim Callaghan is sent to investigate the theft. But his tracks soon lead him to the welcoming skies of the Côte d'Azur. There, he decides to infiltrate a network of aristocratic spies.